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Frank Miller's ideals of heroism

作者: Stephen Matthew Jones; IUPUI ScholarWorks.
出版商: 2007.
論文: Thesis (M.A.)--Indiana University, 2007.
叢書: IUPUI theses and dissertations.
版本/格式:   碩士/博士論文 : 碩士論文/博士論文 : 電子書 : 英語
資料庫:WorldCat
提要:
This project responds to previous available literature on the subject of heroism, which tends to deal with either an isolated work or with genre- and archetype-specific analysis, and applies their concepts to case studies of Frank Miller's various heroic models. In particular, this project addresses the film Sin City and the graphic novel The Dark Knight Strikes Again, arguing that DK2 serves as a departure of sorts  再讀一些...
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詳細書目

類型/形式: Criticism, interpretation, etc
提及的人: Frank Miller; Frank Miller
資料類型: 碩士論文/博士論文, 網際網路資源
文件類型: 網路資源
所有的作者/貢獻者: Stephen Matthew Jones; IUPUI ScholarWorks.
OCLC系統控制編碼: 133490064
注意: Title from screen (viewed May 23, 2007).
Department of English, Indiana University-Purdue University Indianapolis (IUPUI).
Advisor(s): Dennis Bingham, William F. Touponce, Kristine Karnick.
Includes vita.
描述: iv, 110 leaves : digital, PDF file.
詳述: Mode of access: World Wide Web.; Available online via IUPUI ScholarWorks.; System requirements: PDF Reader.
叢書名: IUPUI theses and dissertations.
責任: Stephen Matthew Jones.

摘要:

This project responds to previous available literature on the subject of heroism, which tends to deal with either an isolated work or with genre- and archetype-specific analysis, and applies their concepts to case studies of Frank Miller's various heroic models. In particular, this project addresses the film Sin City and the graphic novel The Dark Knight Strikes Again, arguing that DK2 serves as a departure of sorts from Miller's ideals of heroism in his middle years (such as those presented in Sin City), as the protagonist becomes more of a revolutionary engaged in revamping society than the vigilante or "lone wolf" on the fringes of society. With the aforementioned sources as a general background, it is evident that Miller's heroic ideals shift in their active capacity and scope but remain more or less steady in their strong individual sense of ethical duty. In addition, these sources aid in establishing the comparisons Miller actually invites to traditional, "archetypal" understandings of the hero as well as to the particular heroic form of Ayn Rand, which he explicitly references in DK2. Miller's response to these previous models bolsters the assertion that theories of heroic ideals are inherently political as they deal with representations of the kind of person a hero must be, in turn involving issues of gender, ethnicity and class.

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