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Frank O'Hara : the poetics of coterie

Autor: Lytle Shaw
Editorial: Iowa City : University of Iowa Press, ©2006.
Serie: Contemporary North American poetry series.
Edición/Formato:   Libro : Biografía : Publicación gubernamental estatal o provincial : Inglés (eng)Ver todas las ediciones y todos los formatos
Base de datos:WorldCat
Resumen:
"In this synthesis of New York's artistic and literary worlds, Lytle Shaw uses the social and philosophical problems involved in "reading" a coterie to propose a new language for understanding the poet, art critic, and Museum of Modern Art curator Frank O'Hara (1926-1966).".
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Detalles

Género/Forma: Biography
History
Formato físico adicional: Online version:
Shaw, Lytle.
Frank O'Hara.
Iowa City : University of Iowa Press, c2006
(OCoLC)607793847
Persona designada: Frank O'Hara; Frank O'Hara; Frank O'Hara; Frank O'Hara; Frank O'Hara
Tipo de material: Biografía, Publicación gubernamental, Publicación gubernamental estatal o provincial
Tipo de documento: Libro/Texto
Todos autores / colaboradores: Lytle Shaw
ISBN: 0877459843 9780877459842
Número OCLC: 61879841
Descripción: x, 332 p., [4] p. of plates : ill., plates (chiefly col.) ; 25 cm.
Contenido: 1. Nominal families : coterie, kinship, and literary history --
2. Comparative coteries : mining modernisms --
3. In memory of my feelings : the limits of kinship --
4. Combative names : Mayakovsky and Pasternak in the American 1950s --
5. Proximity's plea : O'Hara's art writing --
6. Coterie and allegory : Rauschenberg's raw materials.
Título de la serie: Contemporary North American poetry series.
Responsabilidad: by Lytle Shaw.
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Providing a synthesis of New York's artistic and literary worlds, this book uses social and philosophical problems involved in reading a coterie to propose a language for understanding the poet, art  Leer más

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"Frank O'Hara: The Poetics of Coterie is an outstanding study of a remarkable, underrated poet and critic. Combining incisive reading of specific poems and critical pieces with astute insistence on Leer más

 
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Datos enlazados


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schema:description""O'Hara's poems are famously filled with proper names - from those of his immediate friends and colleagues in the New York writing and art worlds to a broad range of popular cultural and literary heroes. But rather than understand O'Hara's most commonly referenced names as a fixed and insular audience, Shaw argues that he uses the ambiguities of reference associated with the names to invent a fluid and shifting kinship structure - one that opened up radical possibilities for a gay writer operating outside the structure of the family."@en
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