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Frank O'Hara : the poetics of coterie

Autore: Lytle Shaw
Editore: Iowa City : University of Iowa Press, ©2006.
Serie: Contemporary North American poetry series.
Edizione/Formato:   Libro : Biography : State or province government publication : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
"In this synthesis of New York's artistic and literary worlds, Lytle Shaw uses the social and philosophical problems involved in "reading" a coterie to propose a new language for understanding the poet, art critic, and Museum of Modern Art curator Frank O'Hara (1926-1966).".
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Dettagli

Genere/forma: Biography
Informazioni aggiuntive sul format: Online version:
Shaw, Lytle.
Frank O'Hara.
Iowa City : University of Iowa Press, c2006
(OCoLC)607793847
Persona incaricata: Frank O'Hara; Frank O'Hara; Frank O'Hara; Frank O'Hara
Tipo materiale: Biography, Government publication, State or province government publication
Tipo documento: Book
Tutti gli autori / Collaboratori: Lytle Shaw
ISBN: 0877459843 9780877459842
Numero OCLC: 61879841
Descrizione: x, 332 p., [4] p. of plates : ill., plates (chiefly col.) ; 25 cm.
Contenuti: 1. Nominal families : coterie, kinship, and literary history --
2. Comparative coteries : mining modernisms --
3. In memory of my feelings : the limits of kinship --
4. Combative names : Mayakovsky and Pasternak in the American 1950s --
5. Proximity's plea : O'Hara's art writing --
6. Coterie and allegory : Rauschenberg's raw materials.
Titolo della serie: Contemporary North American poetry series.
Responsabilità: by Lytle Shaw.
Maggiori informazioni:

Abstract:

"In this synthesis of New York's artistic and literary worlds, Lytle Shaw uses the social and philosophical problems involved in "reading" a coterie to propose a new language for understanding the poet, art critic, and Museum of Modern Art curator Frank O'Hara (1926-1966).".

"O'Hara's poems are famously filled with proper names - from those of his immediate friends and colleagues in the New York writing and art worlds to a broad range of popular cultural and literary heroes. But rather than understand O'Hara's most commonly referenced names as a fixed and insular audience, Shaw argues that he uses the ambiguities of reference associated with the names to invent a fluid and shifting kinship structure - one that opened up radical possibilities for a gay writer operating outside the structure of the family.

Situating O'Hara within a range of debates about art's possible relations to its audience, Shaw demonstrates that his interest in coterie is less a symptomatic offshoot of his biography than a radical literary and artistic invention."--BOOK JACKET.

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