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E-mail Message: I thought you might be interested in this item at http://www.worldcat.org/oclc/42002791 Title: French opera, 1730-1830 : meaning and media Author: David Charlton Publisher: Aldershot ; Brookfield, USA : Ashgate, ©2000. ISBN/ISSN: 0860787826 9780860787822 OCLC:42002791

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French opera, 1730-1830 : meaning and media

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French opera, 1730-1830 : meaning and media

Author:	David Charlton
Publisher:	Aldershot ; Brookfield, USA : Ashgate, ©2000.
Series:	Collected studies, CS634.
Edition/Format:	Print book : EnglishView all editions and formats
Summary:	Drawing upon archival research and musicological theory, these essays investigate distinctive qualities in French opera from early opera comique to early grand opera. "Media" is interpreted in terms Read more...
Rating:	(not yet rated) 0 with reviews - Be the first.
Subjects	Opera -- France -- 18th century. Opera -- France -- 19th century. Opéra -- France -- 18e siècle. View all subjects
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Additional Physical Format:	Online version: Charlton, David, 1946- French opera, 1730-1830. Aldershot ; Brookfield, USA : Ashgate, ©2000 (OCoLC)639587018
Material Type:	Internet resource
Document Type:	Book, Internet Resource
All Authors / Contributors:	David Charlton Find more information about:
ISBN:	0860787826 9780860787822
OCLC Number:	42002791
Notes:	Consists of fourteen essays published 1976-1999; three are revised, and two of these are also English versions originally published in French or German.
Description:	1 volume (various pagings) : illustrations ; 23 cm.
Contents:	The romance and its Cognates: Narrative, Irony and vraisemblance in Early opera comique (Die Opera comique und ihr Einflusz auf das europaische Musiktheater im 19. Jahrhundert, ed. Herbert Schneider and Nicole Wild. Hildesheim, 1997) -- Continuing Polarities: Opera Theory and opera-comique (Expanded from Kein Ende der Gegensatze: Operntheorien und opera comique. Text und Musik: Neue Perspektiven der Theorie, ed. Michael Walter. Munich, 1992) -- Orchestra and Chorus at the Comedie-Italienne (Opera-Comique), 1755-1799 (Slavonic and Western Music: Essays for Gerald Abraham, ed. Malcolm Hamrick Brown and Roland John Wiley. Ann Arbor and Oxford, 1985) -- The Overture to Philidor's Le Bucheron (1763) (D'Un Opera l'autre: Hommage a Jean Mongredien, ed. Jean Gribenski, Marie-Claire Mussat and Herbert Schneider. Paris, 1996) -- 'Envoicing' the Orchestra: Enlightenment Metaphors in Theory and Practice (Expanded from L'orchestre et la metaphore du vivant de Mozart. Mozart: Les chemins de l'Europe, ed. Brigitte Massin. Strasbourg, 1997) -- 'Minuet-scenes' in Early opera-comique (Timbre und Vaudeville. Zur Geschichte und Problematik einer popularen Gattung im 17. und 18. Jahrhundert, ed. Herbert Schneider. Hildesheim, 1999) -- Motive and Motif: Mehul before 1791 (Music and Letters 57. Oxford, 1976) -- Motif and Recollection in Four Operas of Dalayrac (Soundings 7. Cardiff, 1978) -- The French Theatrical Origins of Fidelio (Ludwig van Beethoven: 'Fidelio', ed. Paul Robinson. Cambridge, 1996).
Series Title:	Collected studies, CS634.
Responsibility:	David Charlton.

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'Ashgate should be commended for their commitment to scholarship of distinction...' Music and Letters '... a volume of which no-one involved in opera of the eighteenth and nineteenth centuries should remain unaware.' Current Musicology Read more...

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