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A frontier conversation

Author: Claire HaywoodAnn McGrathAustralian Centre for Indigenous History.Australian National University.National Museum of Australia.All authors
Publisher: Watertown, MA : Documentary Educational Resources (DER), 2006.
Series: Ethnographic video online, volume 1
Edition/Format:   eVideo : Clipart/images/graphics : EnglishView all editions and formats
Database:WorldCat
Summary:
A "Frontier conversation" documents a unique collaboration between indigenous and white historians from Australia and North America. In September 2004, a diverse group travelled through the top end of Australia meeting representatives of the traditional landowners, and engaging in a dialogue about indigenous history. The themes that emerged raised more questions than answers; from cultural appropriation and  Read more...
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Details

Genre/Form: Encoded moving images
Nonfiction films
Additional Physical Format: DVD version:
Frontier conversation.
Watertown, MA : Documentary Educational Resources (DER), 2006
(OCoLC)156766665
Material Type: Clipart/images/graphics, Internet resource, Videorecording
Document Type: Internet Resource, Computer File, Visual material
All Authors / Contributors: Claire Haywood; Ann McGrath; Australian Centre for Indigenous History.; Australian National University.; National Museum of Australia.; Ronin Films.
OCLC Number: 849667246
Language Note: This edition in English.
Notes: Produced by Wonderland Productions for the Australian Centre for Indigenous History, Australian National University with support from the National Museum of Australia.
Cast: Video narrator: Ann McGrath.
Description: 1 online resource (19 min.).
Series Title: Ethnographic video online, volume 1
Responsibility: directed by Claire Haywood.

Abstract:

A "Frontier conversation" documents a unique collaboration between indigenous and white historians from Australia and North America. In September 2004, a diverse group travelled through the top end of Australia meeting representatives of the traditional landowners, and engaging in a dialogue about indigenous history. The themes that emerged raised more questions than answers; from cultural appropriation and copyright, to land rights, the role of language and art, and what history means to indigenous communities in the current climate of cultural reclamation and survival. The film asks some difficult questions, such as how valuable can histories written by outsiders to any community be? What are the responsibilities of the historian, indigenous or not, to the people whose stories he or she attempts to tell.

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