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Gabriele Simeoni (1509-1570?) : un Florentin en France entre princes et libraires

Author: Silvia D'Amico Bendicò; Catherine Magnien-Simonin
Publisher: Genève : Droz, [2016]
Series: Travaux d'humanisme et Renaissance, no 568.
Edition/Format:   Print book : Biography : FrenchView all editions and formats
Summary:
This volume gathers seventeen papers by Italian and French Renaissance studies specialists on Gabriele Simeoni and the edition of three of his works, two of which are still unpublished to this day. Curious, eclectic and ambitious, this Florentine man, who lived in France, embraced many fields of knowledge. His adventurous life tells us about the condition of the courtier, always looking for sponsors, and led him to  Read more...
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Genre/Form: Biography
Named Person: Gabriele Simeoni; Gabriele Simeoni
Material Type: Biography
Document Type: Book
All Authors / Contributors: Silvia D'Amico Bendicò; Catherine Magnien-Simonin
ISBN: 9782600018333 2600018336
OCLC Number: 964359853
Language Note: Papers in French and Italian.
Description: 639 pages : illustrations (some color) ; 25 cm.
Series Title: Travaux d'humanisme et Renaissance, no 568.
Responsibility: sous la direction de Silvia D'Amico et Catherine Magnien-Simonin.

Abstract:

This volume gathers seventeen papers by Italian and French Renaissance studies specialists on Gabriele Simeoni and the edition of three of his works, two of which are still unpublished to this day. Curious, eclectic and ambitious, this Florentine man, who lived in France, embraced many fields of knowledge. His adventurous life tells us about the condition of the courtier, always looking for sponsors, and led him to associate with printers in Lyons, where he showed his talents as an editor. He was the first French letter-writer to be published and the first cartographer of Auvergne. Simeoni, whose concern with his self-image is reflected in all his works, also wrote his autobiography, here edited for the first time. He is an author who remarkably embodies the transition from the sprezzatura of the Renaissance courtier to the melancholy of the modern intellectual.--

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