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Garden of delete

Author: Oneohtrix Point Never, (Musician)
Publisher: [England] : Warp Records, [2015] ℗2015
Edition/Format:   Music CD : CD audio : No Linguistic ContentView all editions and formats
Summary:
Building up from simple piano arrangements, the songs play with the idea of a three minute, 'one-point-perspective' of a traditional rock song, but through the lense of Oneohtrix Point Never. Songs like 'Ezra', 'Lift' and lead single 'I Bite Through It' all hint at a verse-chorus-verse structure of a rock song, buried beneath layers of abstraction and manipulation one would expect from an OPN track, while the
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Genre/Form: Ambient music (Electronica)
Popular music
Rock music
Material Type: Music
Document Type: Sound Recording
Music Type: Popular music; Rock music
All Authors / Contributors: Oneohtrix Point Never, (Musician)
ISBN: 9786316318312 6316318316
OCLC Number: 928138116
Notes: Title from container spine.
Lyrics and full credits on container insert.
Performer(s): Performed by Oneohtrix Point Never.
Event notes: Recorded
Brooklen, NY
January-July 2015.
Description: 1 audio disc (45 min., 22 sec.) ; 4 3/4 in.
Contents: 01. Intro (0:28) --
02. Ezra (4:27) --
03. ECCOJAMC1 (0:32) --
04. Sticky drama (4:18) --
05. SDFK (1:27) --
06. Mutant standard (8:06) --
07. Child of rage (4:52) --
08. Animals (3:55) --
09. I bite through it (3:17) --
10. Freaky eyes (6:31) --
11. Lift (4:10) --
12. No good (3:19).
Other Titles: god
Responsibility: Oneohtrix Point Never.

Abstract:

Building up from simple piano arrangements, the songs play with the idea of a three minute, 'one-point-perspective' of a traditional rock song, but through the lense of Oneohtrix Point Never. Songs like 'Ezra', 'Lift' and lead single 'I Bite Through It' all hint at a verse-chorus-verse structure of a rock song, buried beneath layers of abstraction and manipulation one would expect from an OPN track, while the album's magnificent eight minute long centerpiece 'Mutant Standard' shifts and changes.

"8.7 out of 10...The way Garden of Delete makes us question the assumptions behind all of our high/low binaries is part of its brilliance."--Pitchfork.

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