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Gardens, landscape, and vision in the palaces of Islamic Spain
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Gardens, landscape, and vision in the palaces of Islamic Spain

Author: D Fairchild Ruggles
Publisher: University Park, Pa. : Pennsylvania State University Press, ©2000.
Edition/Format:   Book : State or province government publication : EnglishView all editions and formats
Summary:
Islamic gardens, with their waterways and beds of plants and trees, are generally regarded as an earthly reflection of paradise. D. Fairchild Ruggles offers a different interpretation, contending that the palace garden was primarily an environmental, economic and political construct. She discusses three aspects of medieval Islamic Spain: the landscape and agricultural transformation documented in Arabic scientific  Read more...
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Additional Physical Format: Online version:
Ruggles, D. Fairchild.
Gardens, landscape, and vision in the palaces of Islamic Spain.
University Park, Pa. : Pennsylvania State University Press, c2000
(OCoLC)606240176
Online version:
Ruggles, D. Fairchild.
Gardens, landscape, and vision in the palaces of Islamic Spain.
University Park, Pa. : Pennsylvania State University Press, c2000
(OCoLC)607854262
Material Type: Government publication, State or province government publication
Document Type: Book
All Authors / Contributors: D Fairchild Ruggles
ISBN: 0271018518 9780271018515 0271022477 9780271022475
OCLC Number: 39069324
Description: xvi, 275 p. : ill., maps ; 29 cm.
Contents: Introduction ---
Part I. LANDSCAPE. 1. History and landscape --
2. Botany and the agricultural revolution ---
Part II. GARDENS AND ARCHITECTURE. 3. Palaces and estates on Cordoba, 711-936 --
4. Madinat Al-Zahra --
5. Madinat Al-Zahra, Samarra, and the view --
6. Later Cordoban palaces and gardens ---
Part III. THE GARDEN LEGARY. 7. Palaces of the eleventh and twelfth centuries --
8. The Alhambra --
9. Illusion and paradise.
Responsibility: D. Fairchild Ruggles.

Abstract:

Islamic gardens, with their waterways and beds of plants and trees, are generally regarded as an earthly reflection of paradise. D. Fairchild Ruggles offers a different interpretation, contending that the palace garden was primarily an environmental, economic and political construct. She discusses three aspects of medieval Islamic Spain: the landscape and agricultural transformation documented in Arabic scientific literature, the formation of the garden and its symbolism from the eighth through to the 15th centuries, and the role of the gaze and the frame in the spatial structures through with sovereignty was constituted. Although the repertory of architectural and garden forms was largely unchanged from the 10th to the 15th centuries, Ruggles explains that their meaning changed dramatically. The royal palace gardens of Cordoba expressed a political ideology that placed the king above and at the centre of the garden, and metaphorically, of his kingdom. This conception of the world began to falter in later centuries, but patrons clung to the forms and motifs of the golden age. Instead of creating new forms, artists at the Alhambra in Granada reworked and refined familiar vocabulary and materials. The vistas fixed by windows and pavilions referred not to the actual relationship of the king to his domain, but rather to the memory of a once-expanding territory.

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