zum Inhalt wechseln
Gauguin and Impressionism Titelvorschau
SchließenTitelvorschau
Prüfung…

Gauguin and Impressionism

Verfasser/in: Richard R Brettell; Anne-Birgitte Fonsmark; Paul Gauguin; Kimbell Art Museum.; Ordrupgaardsamlingen.
Verlag: New Haven [Conn.] ; London : Yale University Press ; Fort Worth : in association with Kimbell Art Museum, 2005.
Ausgabe/Format   Print book : EnglischAlle Ausgaben und Formate anzeigen
Datenbank:WorldCat
Zusammenfassung:
"Paul Gauguin (1848-1903) was introduced into the Impressionist circle by Camille Pissarro and contributed major works to five of the eight Impressionist exhibitions between 1879 and 1886. During these years he transformed himself from a banker-stockbroker into a professional artist and from a family man into a solitary searcher for artistic, moral, and spiritual truths. Yet this vital period of Gauguin's life has  Weiterlesen…
Bewertung:

(noch nicht bewertet) 0 mit Rezensionen - Verfassen Sie als Erste eine Rezension.

Themen
Ähnliche Titel

 

Exemplar ausleihen

&AllPage.SpinnerRetrieving; Suche nach Bibliotheken, die diesen Titel besitzen ...

Details

Gattung/Form: Criticism, interpretation, etc
Expositions
Name: Paul Gauguin; Paul Gauguin; Paul Gauguin; Paul Gauguin
Dokumenttyp: Buch
Alle Autoren: Richard R Brettell; Anne-Birgitte Fonsmark; Paul Gauguin; Kimbell Art Museum.; Ordrupgaardsamlingen.
ISBN: 0300110030 9780300110036 0912804440 9780912804446 8788692477 9788788692471
OCLC-Nummer: 61302164
Anmerkungen: Published in conjunction with the exhibition organized by the Kimbell Art Museum, Fort Worth and held at Ordrupgaard, Copenhagen, Aug. 30-Nov. 20, 2005 and Kimbell Art Museum Dec. 18, 2005-Mar. 26, 2006.
Beschreibung: x, 366 pages : illustrations (chiefly color) ; 30 cm
Inhalt: Becoming an artist-collector --
Becoming an impressionist painter-sculptor --
An interlude --
Gauguin in domestic exile --
Unbecoming an impressionist.
Verfasserangabe: Richard R. Brettell and Anne-Birgitte Fonsmark.
Weitere Informationen:

Abstract:

"Paul Gauguin (1848-1903) was introduced into the Impressionist circle by Camille Pissarro and contributed major works to five of the eight Impressionist exhibitions between 1879 and 1886. During these years he transformed himself from a banker-stockbroker into a professional artist and from a family man into a solitary searcher for artistic, moral, and spiritual truths. Yet this vital period of Gauguin's life has usually been dismissed as a mere prelude to his brilliant career as an anti-Impressionist. This illustrated book reconsiders Gauguin's apprenticeship as an Impressionist and reassesses his contributions to the movement through the extraordinarily subtle and beautiful paintings, sculpture, and ceramic works he created during the years before 1887." "Richard R. Brettell and Anne-Birgitte Fonsmark argue that Gauguin's Impressionist paintings compare in quality to those of Sisley, Morisot, or Cassatt and that as a sculptor he was second only to Degas. His sculptures and ceramics were even more searching and radical than his early paintings and are crucial to the understanding of his development. Gauguin grappled with the thorniest issues debated by the French avant-garde, and no member of the Impressionist group created works as enigmatic or as wideranging, both artistically and emotionally."--Jacket.

Rezensionen

Nutzer-Rezensionen
Suche nach GoodReads-Rezensionen
Suche nach DOGObooks-Rezensionen…

Tags

Tragen Sie als Erste Tags ein.
Anfrage bestätigen

Sie haben diesen Titel bereits angefordert. Wenn Sie trotzdem fortfahren möchten, klicken Sie auf OK.

Verlinkung


Primary Entity

<http://www.worldcat.org/oclc/61302164> # Gauguin and Impressionism
    a schema:Book, schema:CreativeWork ;
    library:oclcnum "61302164" ;
    library:placeOfPublication <http://dbpedia.org/resource/London> ; # London
    library:placeOfPublication <http://experiment.worldcat.org/entity/work/data/367244051#Place/fort_worth> ; # Fort Worth
    library:placeOfPublication <http://id.loc.gov/vocabulary/countries/ctu> ;
    library:placeOfPublication <http://experiment.worldcat.org/entity/work/data/367244051#Place/new_haven_conn> ; # New Haven Conn.
    schema:about <http://id.loc.gov/authorities/subjects/sh85007804> ; # Art, French--19th century
    schema:about <http://viaf.org/viaf/27064953> ; # Paul Gauguin
    schema:about <http://experiment.worldcat.org/entity/work/data/367244051#Topic/schilderijen> ; # Schilderijen
    schema:about <http://experiment.worldcat.org/entity/work/data/367244051#Person/gauguin_paul_1848_1903> ; # Paul Gauguin
    schema:about <http://experiment.worldcat.org/entity/work/data/367244051#Topic/impressionnisme_art> ; # Impressionnisme (Art)
    schema:about <http://id.loc.gov/authorities/classification/N6853> ;
    schema:about <http://dewey.info/class/759.4/e22/> ;
    schema:about <http://experiment.worldcat.org/entity/work/data/367244051#Topic/art_19e_siecle> ; # Art--19e siècle
    schema:about <http://experiment.worldcat.org/entity/work/data/367244051#Topic/art_french> ; # Art, French
    schema:about <http://experiment.worldcat.org/entity/work/data/367244051#Topic/impressionism_art> ; # Impressionism (Art)
    schema:about <http://experiment.worldcat.org/entity/work/data/367244051#Topic/impressionisme> ; # Impressionisme
    schema:about <http://experiment.worldcat.org/entity/work/data/367244051#Event/1800_1899> ; # 1800 - 1899
    schema:bookFormat bgn:PrintBook ;
    schema:contributor <http://viaf.org/viaf/49334060> ; # Anne-Birgitte Fonsmark
    schema:contributor <http://viaf.org/viaf/148545856> ; # Kimbell Art Museum.
    schema:contributor <http://viaf.org/viaf/147205556> ; # Ordrupgaardsamlingen.
    schema:contributor <http://viaf.org/viaf/27064953> ; # Paul Gauguin
    schema:creator <http://viaf.org/viaf/49222356> ; # Richard R. Brettell
    schema:datePublished "2005" ;
    schema:description "Becoming an artist-collector -- Becoming an impressionist painter-sculptor -- An interlude -- Gauguin in domestic exile -- Unbecoming an impressionist."@en ;
    schema:exampleOfWork <http://worldcat.org/entity/work/id/367244051> ;
    schema:genre "Criticism, interpretation, etc."@en ;
    schema:inLanguage "en" ;
    schema:name "Gauguin and Impressionism"@en ;
    schema:productID "61302164" ;
    schema:publication <http://www.worldcat.org/title/-/oclc/61302164#PublicationEvent/new_haven_conn_london_yale_university_press_fort_worth_in_association_with_kimbell_art_museum_2005> ;
    schema:publisher <http://experiment.worldcat.org/entity/work/data/367244051#Agent/in_association_with_kimbell_art_museum> ; # in association with Kimbell Art Museum
    schema:publisher <http://experiment.worldcat.org/entity/work/data/367244051#Agent/yale_university_press> ; # Yale University Press
    schema:reviews <http://www.worldcat.org/title/-/oclc/61302164#Review/-1716466097> ;
    schema:workExample <http://worldcat.org/isbn/9788788692471> ;
    schema:workExample <http://worldcat.org/isbn/9780912804446> ;
    schema:workExample <http://worldcat.org/isbn/9780300110036> ;
    umbel:isLike <http://bnb.data.bl.uk/id/resource/GBA568756> ;
    wdrs:describedby <http://www.worldcat.org/title/-/oclc/61302164> ;
    .


Related Entities

<http://dbpedia.org/resource/London> # London
    a schema:Place ;
    schema:name "London" ;
    .

<http://experiment.worldcat.org/entity/work/data/367244051#Agent/in_association_with_kimbell_art_museum> # in association with Kimbell Art Museum
    a bgn:Agent ;
    schema:name "in association with Kimbell Art Museum" ;
    .

<http://experiment.worldcat.org/entity/work/data/367244051#Agent/yale_university_press> # Yale University Press
    a bgn:Agent ;
    schema:name "Yale University Press" ;
    .

<http://experiment.worldcat.org/entity/work/data/367244051#Person/gauguin_paul_1848_1903> # Paul Gauguin
    a schema:Person ;
    schema:birthDate "1848" ;
    schema:deathDate "1903" ;
    schema:familyName "Gauguin" ;
    schema:givenName "Paul" ;
    schema:name "Paul Gauguin" ;
    .

<http://experiment.worldcat.org/entity/work/data/367244051#Place/new_haven_conn> # New Haven Conn.
    a schema:Place ;
    schema:name "New Haven Conn." ;
    .

<http://experiment.worldcat.org/entity/work/data/367244051#Topic/art_19e_siecle> # Art--19e siècle
    a schema:Intangible ;
    schema:name "Art--19e siècle"@fr ;
    .

<http://experiment.worldcat.org/entity/work/data/367244051#Topic/impressionism_art> # Impressionism (Art)
    a schema:Intangible ;
    schema:name "Impressionism (Art)"@en ;
    .

<http://experiment.worldcat.org/entity/work/data/367244051#Topic/impressionnisme_art> # Impressionnisme (Art)
    a schema:Intangible ;
    schema:name "Impressionnisme (Art)"@fr ;
    .

<http://id.loc.gov/authorities/subjects/sh85007804> # Art, French--19th century
    a schema:Intangible ;
    schema:name "Art, French--19th century"@en ;
    .

<http://viaf.org/viaf/147205556> # Ordrupgaardsamlingen.
    a schema:Organization ;
    schema:name "Ordrupgaardsamlingen." ;
    .

<http://viaf.org/viaf/148545856> # Kimbell Art Museum.
    a schema:Organization ;
    schema:name "Kimbell Art Museum." ;
    .

<http://viaf.org/viaf/27064953> # Paul Gauguin
    a schema:Person ;
    schema:birthDate "1848" ;
    schema:deathDate "1903" ;
    schema:familyName "Gauguin" ;
    schema:givenName "Paul" ;
    schema:name "Paul Gauguin" ;
    .

<http://viaf.org/viaf/49222356> # Richard R. Brettell
    a schema:Person ;
    schema:familyName "Brettell" ;
    schema:givenName "Richard R." ;
    schema:name "Richard R. Brettell" ;
    .

<http://viaf.org/viaf/49334060> # Anne-Birgitte Fonsmark
    a schema:Person ;
    schema:familyName "Fonsmark" ;
    schema:givenName "Anne-Birgitte" ;
    schema:name "Anne-Birgitte Fonsmark" ;
    .

<http://worldcat.org/isbn/9780300110036>
    a schema:ProductModel ;
    schema:isbn "0300110030" ;
    schema:isbn "9780300110036" ;
    .

<http://worldcat.org/isbn/9780912804446>
    a schema:ProductModel ;
    schema:isbn "0912804440" ;
    schema:isbn "9780912804446" ;
    .

<http://worldcat.org/isbn/9788788692471>
    a schema:ProductModel ;
    schema:isbn "8788692477" ;
    schema:isbn "9788788692471" ;
    .

<http://www.worldcat.org/title/-/oclc/61302164#PublicationEvent/new_haven_conn_london_yale_university_press_fort_worth_in_association_with_kimbell_art_museum_2005>
    a schema:PublicationEvent ;
    schema:location <http://experiment.worldcat.org/entity/work/data/367244051#Place/fort_worth> ; # Fort Worth
    schema:location <http://dbpedia.org/resource/London> ; # London
    schema:location <http://experiment.worldcat.org/entity/work/data/367244051#Place/new_haven_conn> ; # New Haven Conn.
    schema:organizer <http://experiment.worldcat.org/entity/work/data/367244051#Agent/in_association_with_kimbell_art_museum> ; # in association with Kimbell Art Museum
    schema:organizer <http://experiment.worldcat.org/entity/work/data/367244051#Agent/yale_university_press> ; # Yale University Press
    schema:startDate "2005" ;
    .

<http://www.worldcat.org/title/-/oclc/61302164#Review/-1716466097>
    a schema:Review ;
    schema:itemReviewed <http://www.worldcat.org/oclc/61302164> ; # Gauguin and Impressionism
    schema:reviewBody ""Paul Gauguin (1848-1903) was introduced into the Impressionist circle by Camille Pissarro and contributed major works to five of the eight Impressionist exhibitions between 1879 and 1886. During these years he transformed himself from a banker-stockbroker into a professional artist and from a family man into a solitary searcher for artistic, moral, and spiritual truths. Yet this vital period of Gauguin's life has usually been dismissed as a mere prelude to his brilliant career as an anti-Impressionist. This illustrated book reconsiders Gauguin's apprenticeship as an Impressionist and reassesses his contributions to the movement through the extraordinarily subtle and beautiful paintings, sculpture, and ceramic works he created during the years before 1887." "Richard R. Brettell and Anne-Birgitte Fonsmark argue that Gauguin's Impressionist paintings compare in quality to those of Sisley, Morisot, or Cassatt and that as a sculptor he was second only to Degas. His sculptures and ceramics were even more searching and radical than his early paintings and are crucial to the understanding of his development. Gauguin grappled with the thorniest issues debated by the French avant-garde, and no member of the Impressionist group created works as enigmatic or as wideranging, both artistically and emotionally."--Jacket." ;
    .


Content-negotiable representations

Fenster schließen

Bitte in WorldCat einloggen 

Sie haben kein Konto? Sie können sehr einfach ein kostenloses Konto anlegen,.