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Gender and the poetics of reception in Poe's circle

作者: Eliza Richards
出版商: Cambridge ; New York : Cambridge University Press, 2004.
叢書: Cambridge studies in American literature and culture, 144.
版本/格式:   圖書 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
"Poe is frequently portrayed as an isolated, idiosyncratic genius who was unwilling or unable to adapt himself to the cultural conditions of his time. Eliza Richards revises this portrayal through an exploration of his collaborations and rivalries with his female contemporaries. Richards demonstrates that he staged his performance of tortured isolation in the salons and ephemeral publications of New York City in
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詳細書目

類型/形式: Criticism, interpretation, etc
History
提及的人: Edgar Allan Poe; Elizabeth Oakes Prince Smith; Frances Sargent Locke Osgood; Sarah Helen Whitman; Edgar Allan Poe; Edgar Allan Poe; Edgar Allan Poe; Frances Sargent Locke Osgood; Edgar Allan Poe; Elizabeth Oakes Prince Smith; Sarah Helen Whitman
資料類型: 網際網路資源
文件類型: 圖書, 網路資源
所有的作者/貢獻者: Eliza Richards
ISBN: 0521832810 9780521832816
OCLC系統控制編碼: 53993017
注意: Based on author's thesis (doctoral)--University of Michigan, 1997.
描述: xvii, 238 p. : ill. ; 24 cm.
内容: "The poetess" and Poe's performance of the feminine --
Frances Sargent Osgood, salon poetry, and the erotic voice of print --
Sarah Helen Whitman, spiritualist poetics, and the "phantom voice" of Poe --
Elizabeth Oakes Smith's "unspeakable eloquence" --
Coda : the raven's return.
叢書名: Cambridge studies in American literature and culture, 144.
責任: Eliza Richards.
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摘要:

"Poe is frequently portrayed as an isolated, idiosyncratic genius who was unwilling or unable to adapt himself to the cultural conditions of his time. Eliza Richards revises this portrayal through an exploration of his collaborations and rivalries with his female contemporaries. Richards demonstrates that he staged his performance of tortured isolation in the salons and ephemeral publications of New York City in conjunction with prominent women poets whose work he both emulated and sought to surpass. She introduces and interprets the work of three important and largely forgotten women poets: Frances Sargent Osgood, Sarah Helen Whitman, and Elizabeth Oakes Smith.

Richards re-evaluates the work of these writers, and nineteenth-century lyric practices more generally, by examining poems in the context of their circulation and reception within nineteenth-century print culture. This book will be of interest to scholars of American print culture as well as specialists in nineteenth-century literature and poetry."--BOOK JACKET.

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