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Gender Inequality in Metal Music Production

Author: Pauwke Berkers; Julian Schaap
Publisher: Bingley : Emerald Publishing Limited, 2018.
Series: Emerald Studies in Metal Music and Culture.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
In metal, it seems that women are nowhere but gender is everywhere. This title offers a sociological analysis of metal music's historical and global gender imbalance to investigate why this genre is such an impenetrable fortress for female musicians and how it could change.
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Genre/Form: Electronic books
Criticism, interpretation, etc
Additional Physical Format: Print version:
Berkers, Pauwke.
Gender inequality in metal music production.
Bingley, UK : Emerald Publishing Limited, 2018
(OCoLC)1020032271
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Pauwke Berkers; Julian Schaap
ISBN: 9781787146747 178714674X
OCLC Number: 1041030223
Description: 1 online resource (170 pages).
Contents: Intro; Gender Inequality in Metal Music Production; Contents; Lists of Images, Figures and Tables; Images; Figures; Tables; About the Authors; Preface and Acknowledgments; Introduction: Gender Inequality in Metal Music Production; Learning, Doing and Evaluating Gender in Society, Pop Music and Metal; I. Gender in Society at Large; II. Gender in Popular Music; Representation of Women in Pop Music; Explaining the Representation of Women in Pop Music; III. Gender in Metal Music; Representation of Women in Metal Music; Explaining the Representation of Women in Metal Music; Data and Methods Structure and Outline of the Book1. Winds of Change? Longitudinal Trends and Cross-National Differences; A History of Women in Metal Music Production; Getting into Metal Music; The Statistics of a Boy's Club: Three Per Cent; Global Cultural Production of Metal Music; The Masculine Glocalisation of Metal Music; 2. 'Female-Fronted Metal': Gender Differences and (Sub)Genres; Genre Rules: Expectations, Orientations and Conventions; Gendered Genre Rules; The Statistics of Gendered Subgenres; Gender and Subgenres; Gender and Subgenres in Six Countries; Gendering of (Sub)Genre Through Social Marking 3. All Vocals, Few Chords: Gender Differences in InstrumentationHorizontal Sex Segregation: Gender, Instruments and Stereotypes; Vertical Sex Segregation: Gender, Prestige and Instruments; The Statistics of Instrumentation: All Vocals, Few Chords; Gender and Instrumentation; Gender and Instrumentation in Metal Subgenres; 4. Wielding the Double-Edged Sword: Gender Differences in Artistic Careers; Social Marking and Boundaries; Tokenism; Cultural/Structural Embeddedness and the Double-Edged Sword; Positive Tension: The Benefits of Higher Visibility Negative Tension: The Disadvantages of Higher VisibilityThe Statistics of the Double-Edged Sword: Institutional Recognition; The Great Trade-Off: Standing Out or Fitting In?; Conclusion: Women Are Nowhere, Gender Is Everywhere; Main Findings and Contributions; Discussion and Further Research; Amplifying Gender Equality, Perhaps; Appendix 1: Quantitative Data --
The Metal Archives; Variable Construction: Subgenre and Instruments; Appendix 2: Qualitative Data --
Interviews with Metal Musicians; References; Secondary Sources; Index
Series Title: Emerald Studies in Metal Music and Culture.
Responsibility: by Pauwke Berkers and Julian Schaap.

Abstract:

In metal, it seems that women are nowhere but gender is everywhere. This title offers a sociological analysis of metal music's historical and global gender imbalance to investigate why this genre is  Read more...

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