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Gender, theatre, and the origins of criticism from Dryden to Manley : from Dryden to Manley

Auteur : Marcie Frank
Éditeur : Cambridge, UK ; New York : Cambridge University Press, 2002.
Édition/format :   Livre électronique : Document : AnglaisVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
Frank explores the theoretical and literary legacy of Dryden to a number of prominent women writers of the time. She proposes that Dryden develops a native literary tradition that is passed on as an inheritance to his heirs - Aphra Behn, Catharine Trotter, and Delarivier Manley.
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Genre/forme : Electronic books
Format – détails additionnels : Print version:
Frank, Marcie.
Gender, theatre, and the origins of criticism from Dryden to Manley.
Cambridge, UK ; New York : Cambridge University Press, 2002
(DLC) 2002067365
(OCoLC)49664531
Personne nommée : Manley, Mrs.; John Dryden; John Dryden; Manley, Mrs; John Dryden
Type d’ouvrage : Document, Ressource Internet
Format : Ressource Internet, Fichier informatique
Tous les auteurs / collaborateurs : Marcie Frank
ISBN : 0511021119 9780511021114 9780521818100 0521818109 0511120958 9780511120954 9780511483578 0511483570 9780511054525 0511054521 1280159790 9781280159794
Numéro OCLC : 56129937
Description : 1 online resource (ix, 175 pages)
Contenu : The critical stage --
"Equal to ourselves" : John Dryden's national literary history --
Staging criticism, staging Milton : John Dryden's The state of innocence --
Imitating Shakespeare : gender and criticism --
The female playwright and the city lady --
Scandals of a female nature.
Autres titres : Gender, theater, and the origins of criticism from Dryden to Manley
Responsabilité : by Marcie Frank.
Plus d’informations :

Résumé :

A 2003 exploration of the theoretical and literary legacy of Dryden to a number of prominent women writers of the time.  Lire la suite...

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Synopsis de l’éditeur

Review of the hardback: '... this is a book which is worthy of interest and which makes significant claims about the history and the gendering of literary criticism.' Renaissance Journal

 
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