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A gendered collision : sentimentalism and modernism in Dorothy Parker's poetry and fiction

Auteur : Rhonda S Pettit
Éditeur : Madison [N.J.] : Fairleigh Dickinson University Press ; London : Associated University Presses, ©2000.
Édition/format :   Livre : AnglaisVoir toutes les éditions et les formats
Base de données :WorldCat
Résumé :
"In A Gendered Collision, Rhonda Pettit challenges the assumption that Parker is a humorist or marginal modernist at best, a sentimentalist at worst. To do this, she examines Parker's career in light of feminist scholarship that has forced a reevaluation of the American canon in general, and of modernism in particular. As documented in her poetry and fiction, Parker's modernism moves beyond a narrow set of aesthetic  Lire la suite...
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Détails

Genre/forme : Criticism, interpretation, etc
History
Format – détails additionnels : Online version:
Pettit, Rhonda S., 1955-
Gendered collision.
Madison [N.J.] : Fairleigh Dickinson University Press ; London : Associated University Presses, c2000
(OCoLC)606321297
Personne nommée : Dorothy Parker; Dorothy Parker; Dorothy Parker; Dorothy Parker
Format : Livre
Tous les auteurs / collaborateurs : Rhonda S Pettit
ISBN : 083863818X 9780838638187
Numéro OCLC : 42690038
Description : 248 p. ; 24 cm.
Contenu : Introduction --
Sex and Context: The Production and Popularity of Dorothy Parker's Work --
Art versus Bacon --
The "Hard Dark Crystals" of Parker's Poetry --
A Female Hemingway? --
A Portable Reputation --
The Sentimental Infection: Critical Responses to Sentimentality in Dorothy Parker's Life, Politics, and Literary Production --
The Sentimental Infection in Parker's Personal Life --
The Sentimental Infection in Parker's Politics --
The Sentimental Infection in Parker's Work --
Conclusion --
The Sentimental Connection I: Dorothy Parker's Poetry and Sentimental Tradition --
Characteristics of Nineteenth-Century Women Poets --
Poetics of Shared Conventions --
The Boundary of Gentility --
Gender Rigidity --
Dangerous Retreats --
Conclusion --
The Sentimental Connection II: Dorothy Parker's Fiction and Sentimental Tradition --
Narrative Form and Space --
Bonding and Bound --
A Plea for Reform --
In Defense of Feeling --
Conclusion --
Neither Cloister Nor Hearth: Dorothy Parker's Conflict with the Sentimental Tradition --
Ideas and the Dark Side --
A Retreat into Form? --
Content and Contention --
Home Is Where the Hard-Hearted Are --
Misreading and Mythreading --
Conclusion --
Coda.
Responsabilité : Rhonda S. Pettit.

Résumé :

Parker was perceived as a marginal modernist at best, and a sentimentalist at worst. In exploring of the Parker paradox, this study draws on feminist assessments of twentieth-century modernism to  Lire la suite...

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schema:reviewBody""In A Gendered Collision, Rhonda Pettit challenges the assumption that Parker is a humorist or marginal modernist at best, a sentimentalist at worst. To do this, she examines Parker's career in light of feminist scholarship that has forced a reevaluation of the American canon in general, and of modernism in particular. As documented in her poetry and fiction, Parker's modernism moves beyond a narrow set of aesthetic principles; it carries the remnants from a collision of competing values, those of nineteenth-century sentimentalism, and twentieth-century decadence and modernism. Her works display the intense dynamic in which early twentieth-century literature and art were created."--BOOK JACKET."
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