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Gérard, Girodet, Gros : David's studio

Autor: Arlette Sérullaz; Musée du Louvre.
Editora: Milan : 5 Continents ; Woodbridge : ACC Distribution [distributor], 2005.
Séries: Cabinet des dessins (Milan, Italy)., 10.
Edição/Formato   book_printbook : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
"Jacques-Louis David based teaching in his studio on the study of antiquity and on imitation of the Classics. As a result, it soon became synonymous with cold, static academism. Today, this opinion still prevails: David's pupils, supposedly locked into rigid indoctrination, are seldom credited with the slightest spirit of innovation. Yet the drawings of Drouais, Hennequin, Wicar and Navez, rightly considered David's  Ler mais...
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Detalhes

Formato Físico Adicional: Online version:
Sérullaz, Arlette.
Gérard, Girodet, Gros.
Milan : 5 Continents ; Woodbridge : ACC Distribution [distributor], 2005
(OCoLC)607839628
Pessoa Denominada: Jacques Louis David; Anne-Louis Girodet-Trioson; Antoine-Jean Gros, baron; Marguerite Gérard; Jacques Louis David; Marguerite Gérard; Anne-Louis Girodet-Trioson; Antoine-Jean Gros, baron
Tipo de Documento: Livro
Todos os Autores / Contribuintes: Arlette Sérullaz; Musée du Louvre.
ISBN: 8874392532 9788874392537
Número OCLC: 61218183
Notas: Published in association with the Musée du Louvre.
Descrição: 88 pages : illustrations (chiefly color) ; 21 cm.
Título da Série: Cabinet des dessins (Milan, Italy)., 10.
Responsabilidade: Arlette Sérullaz.

Resumo:

"Jacques-Louis David based teaching in his studio on the study of antiquity and on imitation of the Classics. As a result, it soon became synonymous with cold, static academism. Today, this opinion still prevails: David's pupils, supposedly locked into rigid indoctrination, are seldom credited with the slightest spirit of innovation. Yet the drawings of Drouais, Hennequin, Wicar and Navez, rightly considered David's most orthodox disciples, show a clear ability to create new forms with their own personal vision of antiquity. Meanwhile, Gérard, Girodet and Gros, while continuing to demonstrate their mastery of established classical drawing styles, began taking their art in directions that led to the overturning of David's approaches and prefigured the major innovative trends of the twentieth century."--Amazon.

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