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Gershwin's world

著者: George GershwinHerbie HancockKathleen BattleJames CarterChick Coreaすべての著者
出版: New York, N.Y. : Verve, ℗1998.
エディション/フォーマット:   音楽(CD) : CD audio : Jazz : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"We worked very hard to personalize the Gershwin material while staying true to the spirit of jazz. Our intentions were to reach inside to the core of each piece in search of the composer's original impulses, and to take those elements and recompose and reconstruct them in our own way."--container.
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資料の種類: 音楽
ドキュメントの種類: 録音
すべての著者/寄与者: George Gershwin; Herbie Hancock; Kathleen Battle; James Carter; Chick Corea; Kenny Garrett; Eddie Henderson; Joni Mitchell; Wayne Shorter; Stevie Wonder; Maurice Ravel; Orpheus Chamber Orchestra.
OCLC No.: 40160174
注記: Jazz, in part with vocals.
"All compositions by George Gershwin except where indicated"--Container.
Compact disc.
著作権: Produced by Robert Sadin.
パフォーマー Herbie Hancock, piano, organ ; with special guests: Kathleen Battle, soprano; James Carter, soprano and tenor saxophones; Chick Corea, piano; Kenny Garrett, alto saxophone; Eddie Henderson, trumpet; Joni Mitchell, vocals; Orpheus Chamber Orchestra; Wayne Shorter, tenor saxophone; Stevie Wonder, vocals, harmonica; and other musicians.
発行注記: Recorded Mar.-June 1998, in New York and Los Angeles.
形態 1 audio disc : digital ; 4 3/4 in.
コンテンツ: Overture (Fascinating rhythm) (:55) --
It ain't necessarily so (4:46) --
The man I love (5:56) --
Here come de honey man (3:58) --
St. Louis blues / W.C. Handy (5:49) --
Lullaby (11:03) --
Blueberry rhyme / James P. Johnson (3:29) --
It ain't necessarily so (interlude) (1:24) --
Cotton tail / Duke Ellington (4:43) --
Summertime (4:38) --
My man's gone now (1:56) --
Prelude in C♯ minor (4:42) --
Concerto for piano and orchestra in G. 2nd movement / Maurice Ravel (9:11) --
Embraceable you (4:38).
他のタイトル: Works.
責任者: [produced and arranged by] Herbie Hancock.

概要:

"We worked very hard to personalize the Gershwin material while staying true to the spirit of jazz. Our intentions were to reach inside to the core of each piece in search of the composer's original impulses, and to take those elements and recompose and reconstruct them in our own way."--container.

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schema:datePublished"℗1998"
schema:datePublished"1998"
schema:description""We worked very hard to personalize the Gershwin material while staying true to the spirit of jazz. Our intentions were to reach inside to the core of each piece in search of the composer's original impulses, and to take those elements and recompose and reconstruct them in our own way."--container."
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