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Giordano Bruno and the philosophy of the ass

著者: Nuccio Ordine
出版: New Haven : Yale University Press, 1996.
エディション/フォーマット:   book_printbook : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
In this highly original study, Nuccio Ordine uses the figure of the ass as a lens through which to focus on the thought and writings of the great Renaissance humanist philosopher Giordano Bruno. The donkey played a prominent role as a symbol in sixteenth-century literature, and the ass and human asininity became a recurring motif in Bruno's writings. Ordine offers the first analysis of Bruno's use of this complex
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詳細

ジャンル/形式: History
Miscellanea
関連の人物: Giordano Bruno; Giordano Bruno
ドキュメントの種類: 図書
すべての著者/寄与者: Nuccio Ordine
ISBN: 0300058527 9780300058529
OCLC No.: 33280841
物理形態: xv, 271 pages : illustrations ; 22 cm
コンテンツ: Foreword / Eugenio Garin --
1. Bruno and the Ass: A Long-Deferred Question --
2. Myths, Fables, Tales: the "Asinine" Materials --
3. The Ass and Mercury: A Key to Coincidentia Oppositorum --
4. The Ambiguous Space of Asininity --
5. Man and the Ass, between "Bestiality" and "Divinity" --
6. Positive Asininity: Toil, Humility, Tolerance --
7. Negative Asininity: Idleness, Arrogance, Unidimensionality --
8. The Oration of Fortune --
9. In the Labyrinth of Truth --
10. From Orion to Chiron: Opposing Images of the Religious Cult --
11. The Ass in the Guise of the Sileni: Appearances Are Deceptive --
12. The Literature of the Ass before Bruno --
13. The Entropy of Writing --
14. Natural Science and Human Science: A "Nouvelle Alliance."
その他のタイトル: Cabala dell'asino.
責任者: Nuccio Ordine ; translated by Henryk Barański in collaboration with Arielle Saiber.

概要:

In this highly original study, Nuccio Ordine uses the figure of the ass as a lens through which to focus on the thought and writings of the great Renaissance humanist philosopher Giordano Bruno. The donkey played a prominent role as a symbol in sixteenth-century literature, and the ass and human asininity became a recurring motif in Bruno's writings. Ordine offers the first analysis of Bruno's use of this complex symbol, which encompasses contradictory characteristics ranging from humble and hardworking to ignorant and idle. The result is a deeper understanding of Bruno the philosopher, along with a stronger appreciation of Bruno the literary artist.

Ordine looks especially closely at Bruno's use of the figure of the donkey in his attacks on the theologies of both the Reformation and the Counter-Reformation, and in issues that have become modernist concerns. Ordine's analysis sheds light on each of the major themes of Bruno's philosophy: science and knowledge, myth and religion, language and literature.

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