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Giordano Bruno and the philosophy of the ass

作者: Nuccio Ordine
出版商: New Haven : Yale University Press, 1996.
版本/格式:   圖書 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
In this highly original study, Nuccio Ordine uses the figure of the ass as a lens through which to focus on the thought and writings of the great Renaissance humanist philosopher Giordano Bruno. The donkey played a prominent role as a symbol in sixteenth-century literature, and the ass and human asininity became a recurring motif in Bruno's writings. Ordine offers the first analysis of Bruno's use of this complex
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詳細書目

類型/形式: History
Miscellanea
提及的人: Giordano Bruno; Giordano Bruno
文件類型: 圖書
所有的作者/貢獻者: Nuccio Ordine
ISBN: 0300058527 9780300058529
OCLC系統控制編碼: 33280841
描述: xv, 271 p. : ill. ; 22 cm.
内容: Foreword / Eugenio Garin --
1. Bruno and the Ass: A Long-Deferred Question --
2. Myths, Fables, Tales: the "Asinine" Materials --
3. The Ass and Mercury: A Key to Coincidentia Oppositorum --
4. The Ambiguous Space of Asininity --
5. Man and the Ass, between "Bestiality" and "Divinity" --
6. Positive Asininity: Toil, Humility, Tolerance --
7. Negative Asininity: Idleness, Arrogance, Unidimensionality --
8. The Oration of Fortune --
9. In the Labyrinth of Truth --
10. From Orion to Chiron: Opposing Images of the Religious Cult --
11. The Ass in the Guise of the Sileni: Appearances Are Deceptive --
12. The Literature of the Ass before Bruno --
13. The Entropy of Writing --
14. Natural Science and Human Science: A "Nouvelle Alliance"
其他題名: Cabala dell'asino.
責任: Nuccio Ordine ; translated by Henryk Barański in collaboration with Arielle Saiber.

摘要:

In this highly original study, Nuccio Ordine uses the figure of the ass as a lens through which to focus on the thought and writings of the great Renaissance humanist philosopher Giordano Bruno. The donkey played a prominent role as a symbol in sixteenth-century literature, and the ass and human asininity became a recurring motif in Bruno's writings. Ordine offers the first analysis of Bruno's use of this complex symbol, which encompasses contradictory characteristics ranging from humble and hardworking to ignorant and idle. The result is a deeper understanding of Bruno the philosopher, along with a stronger appreciation of Bruno the literary artist.

Ordine looks especially closely at Bruno's use of the figure of the donkey in his attacks on the theologies of both the Reformation and the Counter-Reformation, and in issues that have become modernist concerns. Ordine's analysis sheds light on each of the major themes of Bruno's philosophy: science and knowledge, myth and religion, language and literature.

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