skip to content
The Giorgio Mangiamele Collection. Preview this item
ClosePreview this item
Checking...

The Giorgio Mangiamele Collection.

Author: Giorgio Mangiamele; Kanopy (Firm)
Publisher: [San Francisco, California, USA] : Kanopy Streaming, 2016.
Edition/Format:   eVideo : Clipart/images/graphics : EnglishView all editions and formats
Database:WorldCat
Summary:
Giorgio Mangiamele is one of the most under-estimated figures in Australian cinema history. Soon after his arrival in Australia in 1952 as a migrant from Italy, he began making films at a time when feature film production in Australia was almost non-existent. His films were seldom seen in Australia, although one - CLAY (1965) - was applauded overseas as an official selection in the Cannes Film Festival. They have  Read more...
Rating:

(not yet rated) 0 with reviews - Be the first.

Subjects
More like this

 

Find a copy online

Links to this item

Find a copy in the library

&AllPage.SpinnerRetrieving; Finding libraries that hold this item...

Details

Material Type: Clipart/images/graphics, Internet resource, Videorecording
Document Type: Internet Resource, Computer File, Visual material
All Authors / Contributors: Giorgio Mangiamele; Kanopy (Firm)
OCLC Number: 956903958
Language Note: In English.
Notes: In Process Record.
Title from title frames.
Event notes: Originally produced by Ronin Films in 1953.
Description: 1 online resource (4 video files, approximately 351 minutes)

Abstract:

Giorgio Mangiamele is one of the most under-estimated figures in Australian cinema history. Soon after his arrival in Australia in 1952 as a migrant from Italy, he began making films at a time when feature film production in Australia was almost non-existent. His films were seldom seen in Australia, although one - CLAY (1965) - was applauded overseas as an official selection in the Cannes Film Festival. They have been virtually unavailable since, until the appearance of this collection of some of his major works. Displaying almost Quixotic ambition, Mangiamele's first venture into production was a feature film, IL CONTRATTO (1953), which he began within a year of arriving in Australia. This drama about the isolation and alienation of Italian migrants was never completed, but what remains is a remarkably powerful portrait of a neglected segment of Australian society. The following three films in this collection also express the anguish of the migrant experience: the two radically different versions of a short drama THE SPAG (c.1960-2), and a robust comedy, NINETY NINE PER CENT (1963). All of these films reveal Mangiamele's keen eye for visual poetry and the strong humanism of his concern for his characters. These qualities are amplified in his first completed feature film, CLAY, which explores the alienation, not of migrants, but of a man on the run from the police who is taken in by an isolated community of artists. His emerging love affair with a young sculptor leads to tragedy. The intensity of Mangiamele's breathtaking vision recalls the work of Jean Cocteau and other French romantic poet/filmmakers, and signifies the appearance of a major art cinema talent, imbued with European cinema culture, who tragically never found an opportunity to find full expression of his vision after this one extraordinary feature. This collection of newly re-mastered and restored films is a treasure-trove for anyone interested in Australian cinema and art movies. It's a rare treat to be able to discover and explore the greatness of Mangiamele's talent.

Reviews

User-contributed reviews
Retrieving GoodReads reviews...
Retrieving DOGObooks reviews...

Tags

Be the first.

Similar Items

Related Subjects:(1)

Confirm this request

You may have already requested this item. Please select Ok if you would like to proceed with this request anyway.

Linked Data


Primary Entity

<http://www.worldcat.org/oclc/956903958> # The Giorgio Mangiamele Collection.
    a schema:Movie, schema:CreativeWork, schema:VideoObject ;
    library:oclcnum "956903958" ;
    library:placeOfPublication <http://id.loc.gov/vocabulary/countries/cau> ;
    rdfs:comment "Unknown 'gen' value: cig" ;
    schema:about <http://experiment.worldcat.org/entity/work/data/1007311691#Thing/australian_studies> ; # Australian Studies
    schema:contributor <http://experiment.worldcat.org/entity/work/data/1007311691#Organization/kanopy_firm> ; # Kanopy (Firm)
    schema:contributor <http://experiment.worldcat.org/entity/work/data/1007311691#Person/mangiamele_giorgio> ; # Giorgio Mangiamele
    schema:description "Giorgio Mangiamele is one of the most under-estimated figures in Australian cinema history. Soon after his arrival in Australia in 1952 as a migrant from Italy, he began making films at a time when feature film production in Australia was almost non-existent. His films were seldom seen in Australia, although one - CLAY (1965) - was applauded overseas as an official selection in the Cannes Film Festival. They have been virtually unavailable since, until the appearance of this collection of some of his major works. Displaying almost Quixotic ambition, Mangiamele's first venture into production was a feature film, IL CONTRATTO (1953), which he began within a year of arriving in Australia. This drama about the isolation and alienation of Italian migrants was never completed, but what remains is a remarkably powerful portrait of a neglected segment of Australian society. The following three films in this collection also express the anguish of the migrant experience: the two radically different versions of a short drama THE SPAG (c.1960-2), and a robust comedy, NINETY NINE PER CENT (1963). All of these films reveal Mangiamele's keen eye for visual poetry and the strong humanism of his concern for his characters. These qualities are amplified in his first completed feature film, CLAY, which explores the alienation, not of migrants, but of a man on the run from the police who is taken in by an isolated community of artists. His emerging love affair with a young sculptor leads to tragedy. The intensity of Mangiamele's breathtaking vision recalls the work of Jean Cocteau and other French romantic poet/filmmakers, and signifies the appearance of a major art cinema talent, imbued with European cinema culture, who tragically never found an opportunity to find full expression of his vision after this one extraordinary feature. This collection of newly re-mastered and restored films is a treasure-trove for anyone interested in Australian cinema and art movies. It's a rare treat to be able to discover and explore the greatness of Mangiamele's talent."@en ;
    schema:exampleOfWork <http://worldcat.org/entity/work/id/1007311691> ;
    schema:inLanguage "en" ;
    schema:name "The Giorgio Mangiamele Collection."@en ;
    schema:productID "956903958" ;
    schema:url <http://institution.kanopystreaming.com/node/105830> ;
    schema:url <http://www.kanopystreaming.com/node/105830> ;
    wdrs:describedby <http://www.worldcat.org/title/-/oclc/956903958> ;
    .


Related Entities

<http://experiment.worldcat.org/entity/work/data/1007311691#Person/mangiamele_giorgio> # Giorgio Mangiamele
    a schema:Person ;
    schema:familyName "Mangiamele" ;
    schema:givenName "Giorgio" ;
    schema:name "Giorgio Mangiamele" ;
    .

<http://experiment.worldcat.org/entity/work/data/1007311691#Thing/australian_studies> # Australian Studies
    a schema:Thing ;
    schema:name "Australian Studies" ;
    .

<http://institution.kanopystreaming.com/node/105830>
    rdfs:comment "A Kanopy streaming video" ;
    .

<http://www.kanopystreaming.com/node/105830>
    rdfs:comment "A Kanopy streaming video" ;
    .


Content-negotiable representations

Close Window

Please sign in to WorldCat 

Don't have an account? You can easily create a free account.