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Golden age of television

Editore: [S.l.] : Criterion Collection, 2009.
Edizione/Formato:   Video DVD : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
Features plays from 1953-1958 and includes Marty (1953), Patterns (1955), No Time for Sergeants (1955), A Wind From the South (1955), Bang the Drum Slowly (1956), Requiem for a Heavyweight (1956), The Comedian (1957), and Days of Wine and Roses (1958). Bonus features include commentaries, interviews, and an essay by curator Ron Simon.
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Dettagli

Genere/forma: Film adaptations
Drama
Persona incaricata: Mac Hyman; Mark Harris; Ernest Lehman
Tipo materiale: Videorecording
Tipo documento: Materiale visivo
Numero OCLC: 567988971
Distribuzione: Marty: Rod Steiger, Nancy Marchand ; Patterns: Everett Sloane, Richard Kiley ; No time for sergeants: Andy Griffith, Harry Clark ; A wind from the South: Julie Harris, Donald Woods ; Requiem for a heavyweight: Jack Palance, Keenan Wynn ; Bang the drum slowly: Paul Newman, Albert Salmi ; The comedian: Mickey Rooney, Edmond O'Brien ; Days of wine and roses: Cliff Robertson, Piper Laurie.
Descrizione: videorecording.
Contenuti: Marty (1953) / written by Paddy Chayefsky ; directed by Delbert Mann --
Patterns (1955) / written by Rod Serling ; directed by Fielder Cook --
No time for sergeants (1955) / teleplay by Ira Levin ; directed by Alex Segal --
A wind from the South (1955) / written by James Costigan ; directed by Daniel Petrie, Cordelia Stone --
Requiem for a heavyweight (1956) / written by Rod Serling ; directed by Ralph Nelson --
Bang the drum slowly (1956) / directed by Daniel Petrie --
The comedian (1957) / teleplay by Rod Serling ; directed by John Frankenheimer --
Days of wine and roses (1958) / written by JP Miller ; directed by John Frankenheimer.

Abstract:

Features plays from 1953-1958 and includes Marty (1953), Patterns (1955), No Time for Sergeants (1955), A Wind From the South (1955), Bang the Drum Slowly (1956), Requiem for a Heavyweight (1956), The Comedian (1957), and Days of Wine and Roses (1958). Bonus features include commentaries, interviews, and an essay by curator Ron Simon.

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