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The Gothic
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The Gothic

Author: Gilda Williams
Publisher: London : Whitechapel ; Cambridge, Mass. : MIT Press, 2007.
Series: Documents of contemporary art series.
Edition/Format:   Book : EnglishView all editions and formats
Summary:
This collection of writings examines the pervasive and influential role of "the Gothic" in contemporary visual culture. The contemporary Gothic in art is informed as much by the stock themes of the eighteenth- and nineteenth-century Gothic novel as it is by more recent permutations of the Gothic in horror film theory, Lacanian psychoanalysis, and Goth subcultures. This reader from London's Whitechapel Gallery brings  Read more...
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Additional Physical Format: Online version:
Gothic.
London : Whitechapel ; Cambridge, Mass. : MIT Press, 2007
(OCoLC)607766810
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Gilda Williams
ISBN: 9780262731867 026273186X 9780854881550 0854881557
OCLC Number: 86038291
Description: 237 p. ; 21 cm.
Contents: A thematic framework : A philosophical enquiry into the origin of our ideas of the sublime and beautiful, 1757 / Edmund Burke --
Frankenstein, 1818 / Mary Shelley --
The fall of the house of Usher, 1839 / Edgar Allan Poe --
The strange case of Dr Jeckyll and Mr Hyde, 1886 / Robert Louis Stevenson --
Art of darkness: a poetics of Gothic, 1995 / Anne Williams --
Nightmare on Main Street: angels, sadomasochism and the culture of Gothic, 1997 / Mark Edmundson --
This year's Goth: A short history of the Gothic in contemporary art : Urban Gothic, 1985 / Mike Kelley --
Gothic: transmutations of horror in late twentieth century art, 1997 / Christoph Grünenberg --
The new Gothic: scary monsters and super creeps, 2003 / Michael Cohen --
Modern Gothic, 2004 / Jerry Saltz --
Beneath the remains: what magic in myth?, 2004 / Shamin M. Momin --
Insubstantial pageants, 2006 / Marina Warner --
Vanitas and lifestyle: a relaxation on our relationship to the symbols of death, 2006 / Gianni Jetzer --
Modern Gothic: death, excess and terror : The transparency of evil, 1990 / Jean Baudrillard --
Skin shows: Gothic horror and the technology of monsters, 1995 / Judith Halberstam --
Interview with the vampire, 1976 / Anne Rice --
American psycho, 1991 / Bret Easton Ellis --
Skulls: on Andy Warhol, 2004 / Trevor Fairbrother --
Skullduggery: on Steven Gregory, 2005 / Damien Hirst --
Gothic: four hundred years of excess, horror, evil and ruin, 1998 / Richard Davenport-Hines --
Human dignity shall be palpable: on Teresa Margolles, 2006 / Nike Bätzner --
Different strokes: on Richard Hawkins, 2006 / Alex Farquharson --
'The creature': alien beings and alien bodies : Discipline and punish, 1975 / Michel Foucault --
The coherence of Gothic conventions, 1980 / Eve Kosofsky Sedgwick --
Three women's texts and a critique of imperialism, 1985 / Gayatri Chakravorty Spivak --
Monster metaphors. notes on Michael Jackon's Thriller, 1986 / Kobena Mercer --
Children of the night: vampirism as homosexuality, homosexuality as vampirism, 1988 / Richard Dyer --
Strange weather: culture, science and technology in the age of limits, 1991 / Andrew Ross --
Neuromancer, 1984 / William Gibson --
The other self of the imagination: Cindy Sherman's Hysterical performance, 1995 / Elisabeth Bronfen --
The macabre museum: on Mark Dion, 1997 / James Meyer. Transgressing females and the name of the father : Seminar on The purloined letter, 1972 / Jacques Lacan --
The purveyor of truth, 1975 / Jacques Derrida --
Men, women and chainsaws: gender in the modern horror film, 1992 / Carol Clover --
Carrie, 1974 / Stephen King --
Kant as a theoretician of vampirism, 1994 / Slavoj Zizek --
Interview with Arielle Pelenc: on Vampire's picnic, 1996 / Jeff Wall --
The architecture of trauma: on Louise Bourgeois, 1999 / Beatriz Colomina --
Paul McCarthy's inside out body and the desublimation of masculinity, 2000 / Amelia Jones --
Only the perverse fantasy can still save us: on Matthew Barney, 2002 / Nancy Spector --
American Gothic: on Robert Gober, 2005 / Hal Foster --
Teen angle: on the art of Sue de Beer, 2004 / Bruce Hainley --
The uncanny: doubles and other ghosts --
The uncanny, 1919 / Sigmund Freud --
Playing with dead things: on The uncanny, 1993/2004 / Mike Kelley --
Hand of a wanker, 1988 / Patrick McGrath --
The missing voice: on Janet Cardiff, 2001 / Carolyn Christov-Bakargiev --
a.k.a: on Douglas Gordon, 2001 / Nancy Spector --
30 seconds text, 1996 / Douglas Gordon --
Nu·tka·, 1996 / Stan Douglas --
Paul Pfeiffer, 2006 / Mark Alice Durant and Jane D. Marsching --
Castles, ruins and labyrinths --
Powers of horror: an essay on abjection, 1982 / Julia Kristeva --
On the museum's ruins, 1993 / Douglas Crimp --
The contested castle: Gothic novels and the subversion of domestic ideology, 1989 / Kate Ferguson Ellis --
The name of the rose, 1980 / Umberto Eco --
A house Is not a home, 2000 / Jonathan Jones --
Dan Graham's Kammerspiel, 1985 / Jeff Wall --
A dark space: on Rachel Whiteread, 1995 / Anthony Vidler --
Species of spaces: on Mike Nelson, 2000 / Jonathan Jones --
Palast, 2004 / Tacita Dean --
The living rooms: on Gregor Schneider, 2004 / Andrew O'Hagan.
Series Title: Documents of contemporary art series.
Responsibility: edited by Gilda Williams.
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Abstract:

This comprehensive survey of the Gothic in contemporary visual culture explores the work of artists ranging from Andy Warhol to Cindy Sherman to Matthew Barney, with texts by Julia Kristeva, Marina  Read more...

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