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The great migrator : Robert Rauschenberg and the global rise of American art

Auteur : Hiroko Ikegami; Robert Rauschenberg
Éditeur : Cambridge, Mass. : MIT Press, ©2010.
Édition/format :   Livre imprimé : EnglishVoir toutes les éditions et tous les formats
Base de données :WorldCat
Résumé :
This volume examines American artist Robert Rauschenberg's (1925-2008) activities abroad and charts the increasing international dominance of American art during that period. Rauschenberg came to prominence during the 1950s transition from Abstract Expressionism to Pop Art. The author focuses on Rauschenberg's stops in four cities -- Paris, Venice, Stockholm, and Tokyo. In each city Rauschenberg's work encountered  Lire la suite...
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Détails

Genre/forme : Criticism, interpretation, etc
Personne nommée : Robert Rauschenberg; Robert Rauschenberg; Robert Rauschenberg; Robert Rauschenberg; Robert Rauschenberg; Robert Rauschenberg
Format : Book
Tous les auteurs / collaborateurs : Hiroko Ikegami; Robert Rauschenberg
ISBN : 9780262014250 0262014254 9780262526111 0262526115
Numéro OCLC : 458892506
Description : xi, 277 pages : illustrations (some color) ; 24 cm
Contenu : Introduction: Discovering "The great migrator" --
A triumph in Paris : engineering Rauschenberg's global market --
A spectacle in Venice : inside and outside Rauschenberg's victory --
A conflict in Stockholm : the rise and fall of Monogram --
A dialogue in Tokyo : Rauschenberg meets the Japanese avant-garde --
Conclusion: Becoming "The" American artist --
Appendix: Robert Rauschenberg's exhibition history outside the United States, 1953-1968.
Autres titres : Robert Rauschenberg and the global rise of American art
Responsabilité : Hiroko Ikegami.

Résumé :

This volume examines American artist Robert Rauschenberg's (1925-2008) activities abroad and charts the increasing international dominance of American art during that period. Rauschenberg came to prominence during the 1950s transition from Abstract Expressionism to Pop Art. The author focuses on Rauschenberg's stops in four cities -- Paris, Venice, Stockholm, and Tokyo. In each city Rauschenberg's work encountered both enthusiasm and resistance. The author feels that the global rise of American art as a cross-cultural phenomenon in which each art community Rauschenberg visited was searching in different ways for cultural and artistic identity in the midst of Americanization. Rauschenberg's travels and collaborations established a new kind of transnational network for the postwar art world -- prefiguring the globalization of art before the era of globalization.

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