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The great migrator : Robert Rauschenberg and the global rise of American art

Autor: Hiroko Ikegami; Robert Rauschenberg
Editora: Cambridge, Mass. : MIT Press, ©2010.
Edição/Formato   Print book : InglêsVer todas as edições e formatos
Base de Dados:WorldCat
Resumo:
This volume examines American artist Robert Rauschenberg's (1925-2008) activities abroad and charts the increasing international dominance of American art during that period. Rauschenberg came to prominence during the 1950s transition from Abstract Expressionism to Pop Art. The author focuses on Rauschenberg's stops in four cities -- Paris, Venice, Stockholm, and Tokyo. In each city Rauschenberg's work encountered  Ler mais...
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Detalhes

Gênero/Forma: Criticism, interpretation, etc
Pessoa Denominada: Robert Rauschenberg; Robert Rauschenberg; Robert Rauschenberg; Robert Rauschenberg; Robert Rauschenberg; Robert Rauschenberg
Tipo de Documento: Livro
Todos os Autores / Contribuintes: Hiroko Ikegami; Robert Rauschenberg
ISBN: 9780262014250 0262014254 9780262526111 0262526115
Número OCLC: 458892506
Descrição: xi, 277 pages : illustrations (some color) ; 24 cm
Conteúdos: Introduction: Discovering "The great migrator" --
A triumph in Paris : engineering Rauschenberg's global market --
A spectacle in Venice : inside and outside Rauschenberg's victory --
A conflict in Stockholm : the rise and fall of Monogram --
A dialogue in Tokyo : Rauschenberg meets the Japanese avant-garde --
Conclusion: Becoming "The" American artist --
Appendix: Robert Rauschenberg's exhibition history outside the United States, 1953-1968.
Outros Títulos: Robert Rauschenberg and the global rise of American art
Responsabilidade: Hiroko Ikegami.

Resumo:

This volume examines American artist Robert Rauschenberg's (1925-2008) activities abroad and charts the increasing international dominance of American art during that period. Rauschenberg came to prominence during the 1950s transition from Abstract Expressionism to Pop Art. The author focuses on Rauschenberg's stops in four cities -- Paris, Venice, Stockholm, and Tokyo. In each city Rauschenberg's work encountered both enthusiasm and resistance. The author feels that the global rise of American art as a cross-cultural phenomenon in which each art community Rauschenberg visited was searching in different ways for cultural and artistic identity in the midst of Americanization. Rauschenberg's travels and collaborations established a new kind of transnational network for the postwar art world -- prefiguring the globalization of art before the era of globalization.

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