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The great migrator : Robert Rauschenberg and the global rise of American art

作者: Hiroko Ikegami; Robert Rauschenberg
出版商: Cambridge, Mass. : MIT Press, ©2010.
版本/格式:   圖書 : 英語所有版本和格式的總覽
資料庫:WorldCat
提要:
This volume examines American artist Robert Rauschenberg's (1925-2008) activities abroad and charts the increasing international dominance of American art during that period. Rauschenberg came to prominence during the 1950s transition from Abstract Expressionism to Pop Art. The author focuses on Rauschenberg's stops in four cities -- Paris, Venice, Stockholm, and Tokyo. In each city Rauschenberg's work encountered  再讀一些...
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類型/形式: Criticism, interpretation, etc
提及的人: Robert Rauschenberg; Robert Rauschenberg; Robert Rauschenberg; Robert Rauschenberg
文件類型: 圖書
所有的作者/貢獻者: Hiroko Ikegami; Robert Rauschenberg
ISBN: 9780262014250 0262014254
OCLC系統控制編碼: 458892506
描述: xi, 277 pages : illustrations (some color) ; 24 cm
内容: Introduction: Discovering "The great migrator" --
A triumph in Paris : engineering Rauschenberg's global market --
A spectacle in Venice : inside and outside Rauschenberg's victory --
A conflict in Stockholm : the rise and fall of Monogram --
A dialogue in Tokyo : Rauschenberg meets the Japanese avant-garde --
Conclusion: Becoming "The" American artist --
Appendix: Robert Rauschenberg's exhibition history outside the United States, 1953-1968.
其他題名: Robert Rauschenberg and the global rise of American art
責任: Hiroko Ikegami.

摘要:

This volume examines American artist Robert Rauschenberg's (1925-2008) activities abroad and charts the increasing international dominance of American art during that period. Rauschenberg came to prominence during the 1950s transition from Abstract Expressionism to Pop Art. The author focuses on Rauschenberg's stops in four cities -- Paris, Venice, Stockholm, and Tokyo. In each city Rauschenberg's work encountered both enthusiasm and resistance. The author feels that the global rise of American art as a cross-cultural phenomenon in which each art community Rauschenberg visited was searching in different ways for cultural and artistic identity in the midst of Americanization. Rauschenberg's travels and collaborations established a new kind of transnational network for the postwar art world -- prefiguring the globalization of art before the era of globalization.

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