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The great wave: the influence of Japanese woodcuts on French prints.

Autore: Colta Feller Ives; Metropolitan Museum of Art (New York, N.Y.)
Editore: [New York] Metropolitan Museum of Art; distributed by New York Graphic Society [1974]
Edizione/Formato:   Libro a stampa : EnglishVedi tutte le edizioni e i formati
Sommario:
After Admiral Perry broke through Japan's isolation in 1854, the current of Japanese trade flowed west again, bearing with it the colored woodcuts of Hokusai, Hiroshige, and their contemporaries. Some of the most avid collectors of these prints were the French Impressionists and Nabis, who found in them new ways to treat their own prints. In The Great Wave, Colta Feller Ives, Curator in Charge, Department of Prints  Per saperne di più…
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Informazioni aggiuntive sul formato: Online version:
Ives, Colta Feller.
Great wave: the influence of Japanese woodcuts on French prints.
[New York] Metropolitan Museum of Art; distributed by New York Graphic Society [1974]
(OCoLC)594998241
Tipo materiale: Risorsa internet
Tipo documento Libro, Risorsa Internet
Tutti gli autori / Collaboratori: Colta Feller Ives; Metropolitan Museum of Art (New York, N.Y.)
{0} 0870990985 9780870990984 0870992287 9780870992285
Numero OCLC: 1009573
Descrizione: 112 pages illustrations (some color) 26 cm
Contenuti: Chronology of related events --
Impressionism and Ukiyo-e --
Edouard Manet --
Hilaire Germain Edgar Degas --
Mary Cassatt --
Pierre Bonnard --
Edouard Vuillard --
Henri de Toulouse-Lautrec --
Paul Gauguin.
Maggiori informazioni

Abstract:

After Admiral Perry broke through Japan's isolation in 1854, the current of Japanese trade flowed west again, bearing with it the colored woodcuts of Hokusai, Hiroshige, and their contemporaries. Some of the most avid collectors of these prints were the French Impressionists and Nabis, who found in them new ways to treat their own prints. In The Great Wave, Colta Feller Ives, Curator in Charge, Department of Prints and Photographs, The Metropolitan Museum of Art, recounts the phenomenal "cult of Japan" in late nineteenth-century France and reveals through direct comparisons its particular impact on the graphic work of Manet, Degas, Cassatt, Bonnard, Vuillard, Toulouse-Lautrec, and Gauguin.

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