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The Gulag Archipelago, 1918-1956 an experiment in literary investigation

Auteur : Aleksandr Isaevich Solzhenit︠s︡yn
Éditeur : New York, Harper & Row [1974-78]
Édition/format :   Livre électronique : Document : Anglais : [1st ed.]Voir toutes les éditions et les formats
Base de données :WorldCat
Résumé :
Drawing on his own experiences before, during, and after his 11 years of incarceration and exile, Solzhenitsyn reveals with torrential narrative and dramatic power the entire apparatus of Soviet repression. Through truly Shakespearean portraits of its victims, we encounter the secret police operations, the labor camps and prisons, the uprooting or extermination of whole populations. Yet we also witness astounding  Lire la suite...
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Détails

Genre/forme : Personal narratives
Format – détails additionnels : Print version:
Solzhenit︠s︡yn, Aleksandr Isaevich, 1918-2008.
Gulag Archipelago, 1918-1956.
New York, Harper & Row [1974-78]
(DLC) 73022756
(OCoLC)802879
Type d’ouvrage : Document, Ressource Internet
Format : Ressource Internet, Fichier informatique
Tous les auteurs / collaborateurs : Aleksandr Isaevich Solzhenit︠s︡yn
Numéro OCLC : 572406296
Notes : Translation of Arkhipelag GULag, 1918-1956.
Vol. 3 translated by H. Willetts.
Notes de reproduction : Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
Description : 1 online resource (3 volumes) illustrations
Détails : Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Contenu : v. 1., pt. I. The Prison Industry. pt. II. Perpetual Motion.--v. 2., pt. III. The Destructive Labor Camps. pt. IV. The Soul and Barbed Wire.--v. 3., pt. V. Katorga. pt. VI. Exile. pt. VII. Stalin is no more.
Autres titres : Arkhipelag GULag, 1918-1956.
Responsabilité : [by] Aleksandr I. Solzhenitsyn. Translated from the Russian by Thomas P. Whitney.

Résumé :

Drawing on his own experiences before, during, and after his 11 years of incarceration and exile, Solzhenitsyn reveals with torrential narrative and dramatic power the entire apparatus of Soviet repression. Through truly Shakespearean portraits of its victims, we encounter the secret police operations, the labor camps and prisons, the uprooting or extermination of whole populations. Yet we also witness astounding moral courage, the incorruptibility with which the occasional individual or a few scattered groups, all defenseless, endured brutality and degradation. Solzhenitsyn's genius has transmuted this grisly indictment into a literary miracle.

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Données liées


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