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The Gulag Archipelago, 1918-1956 an experiment in literary investigation

Autore: Aleksandr Isaevich Solzhenit︠s︡yn
Editore: New York, Harper & Row [1974-78]
Edizione/Formato:   eBook : Document : English : [1st ed.]Vedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
Drawing on his own experiences before, during, and after his 11 years of incarceration and exile, Solzhenitsyn reveals with torrential narrative and dramatic power the entire apparatus of Soviet repression. Through truly Shakespearean portraits of its victims, we encounter the secret police operations, the labor camps and prisons, the uprooting or extermination of whole populations. Yet we also witness astounding  Per saperne di più…
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Dettagli

Genere/forma: Personal narratives
Informazioni aggiuntive sul formato: Print version:
Solzhenit︠s︡yn, Aleksandr Isaevich, 1918-2008.
Gulag Archipelago, 1918-1956.
New York, Harper & Row [1974-78]
(DLC) 73022756
(OCoLC)802879
Tipo materiale: Document, Risorsa internet
Tipo documento: Internet Resource, Computer File
Tutti gli autori / Collaboratori: Aleksandr Isaevich Solzhenit︠s︡yn
Numero OCLC: 572406296
Note: Translation of Arkhipelag GULag, 1918-1956.
Vol. 3 translated by H. Willetts.
Note di riproduzione: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
Descrizione: 1 online resource (3 volumes) illustrations
Dettagli: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Contenuti: v. 1., pt. I. The Prison Industry. pt. II. Perpetual Motion.--v. 2., pt. III. The Destructive Labor Camps. pt. IV. The Soul and Barbed Wire.--v. 3., pt. V. Katorga. pt. VI. Exile. pt. VII. Stalin is no more.
Altri titoli: Arkhipelag GULag, 1918-1956.
Responsabilità: [by] Aleksandr I. Solzhenitsyn. Translated from the Russian by Thomas P. Whitney.

Abstract:

Drawing on his own experiences before, during, and after his 11 years of incarceration and exile, Solzhenitsyn reveals with torrential narrative and dramatic power the entire apparatus of Soviet repression. Through truly Shakespearean portraits of its victims, we encounter the secret police operations, the labor camps and prisons, the uprooting or extermination of whole populations. Yet we also witness astounding moral courage, the incorruptibility with which the occasional individual or a few scattered groups, all defenseless, endured brutality and degradation. Solzhenitsyn's genius has transmuted this grisly indictment into a literary miracle.

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