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Gustav Mahler, Richard Strauss : correspondence, 1888-1911

Verfasser/in: Gustav Mahler; Richard Strauss; Herta Blaukopf
Verlag: Chicago : University of Chicago Press, 1984.
Ausgabe/Format   Buch : Biografie : EnglischAlle Ausgaben und Formate anzeigen
Datenbank:WorldCat
Zusammenfassung:
Gustav Mahler and Richard Strauss came to know one another as young conductors in Leipzig in 1887. From then until Mahler's death in 1911--the year of the first performance of Der Rosenkavalier--they kept in touch. Mahler himself described their relationship as that of two miners tunneling from opposite directions with the hope of eventually meeting. This publication of their correspondence, which includes  Weiterlesen…
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Gattung/Form: Records and correspondence
Correspondance
Correspondence
Name: Gustav Mahler; Richard Strauss; Gustav Mahler; Richard Strauss; Gustav Mahler; Richard Strauss
Medientyp: Biografie
Dokumenttyp: Buch
Alle Autoren: Gustav Mahler; Richard Strauss; Herta Blaukopf
ISBN: 0226057674 9780226057675
OCLC-Nummer: 10912655
Anmerkungen: Translation of: Gustav Mahler, Richard Strauss.
Beschreibung: 172 pages, [8] pages of plates : illustrations, portraits ; 25 cm
Andere Titel Gustav Mahler, Richard Strauss.
Verfasserangabe: edited with notes and an essay by Herta Blaukopf ; translated by Edmund Jephcott.

Abstract:

Gustav Mahler and Richard Strauss came to know one another as young conductors in Leipzig in 1887. From then until Mahler's death in 1911--the year of the first performance of Der Rosenkavalier--they kept in touch. Mahler himself described their relationship as that of two miners tunneling from opposite directions with the hope of eventually meeting. This publication of their correspondence, which includes twenty-five previously unknown Strauss letters, offers a portrait of two men who were as antithetical in their musical means and goals as in their temperaments and personalities, but who exercised a strong fascination for one another. These sixty-three letters show both composers advancing in their careers as they battled against adverse conditions in the musical world at the turn of the century. They present Mahler's energetic support of Strauss's Symphonia Domestica, which Mahler conducted in 1904 and, in turn, Strauss's championing of Mahler's music, especially the Second and Third Symphonies. The correspondence is fully annotated and is supplemented with a major essay by Herta Blaukopf.

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