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Gustav Mahler, Richard Strauss : correspondence, 1888-1911

著者: Gustav Mahler; Richard Strauss; Herta Blaukopf
出版商: Chicago : University of Chicago Press, 1984.
版本/格式:   图书 : 传记 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
Gustav Mahler and Richard Strauss came to know one another as young conductors in Leipzig in 1887. From then until Mahler's death in 1911--the year of the first performance of Der Rosenkavalier--they kept in touch. Mahler himself described their relationship as that of two miners tunneling from opposite directions with the hope of eventually meeting. This publication of their correspondence, which includes  再读一些...
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类型/形式: Correspondance
Correspondence
提及的人: Gustav Mahler; Richard Strauss; Gustav Mahler; Richard Strauss
材料类型: 传记
文件类型:
所有的著者/提供者: Gustav Mahler; Richard Strauss; Herta Blaukopf
ISBN: 0226057674 9780226057675
OCLC号码: 10912655
注意: Translation of: Gustav Mahler, Richard Strauss.
描述: 172 p., [8] p. of plates : ill., ports. ; 25 cm.
其他题名: Gustav Mahler, Richard Strauss.
责任: edited with notes and an essay by Herta Blaukopf ; translated by Edmund Jephcott.

摘要:

Gustav Mahler and Richard Strauss came to know one another as young conductors in Leipzig in 1887. From then until Mahler's death in 1911--the year of the first performance of Der Rosenkavalier--they kept in touch. Mahler himself described their relationship as that of two miners tunneling from opposite directions with the hope of eventually meeting. This publication of their correspondence, which includes twenty-five previously unknown Strauss letters, offers a portrait of two men who were as antithetical in their musical means and goals as in their temperaments and personalities, but who exercised a strong fascination for one another. These sixty-three letters show both composers advancing in their careers as they battled against adverse conditions in the musical world at the turn of the century. They present Mahler's energetic support of Strauss's Symphonia Domestica, which Mahler conducted in 1904 and, in turn, Strauss's championing of Mahler's music, especially the Second and Third Symphonies. The correspondence is fully annotated and is supplemented with a major essay by Herta Blaukopf.

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