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Handbook of British Romanticism

Author: Ralf Haekel
Publisher: Berlin ; Boston : De Gruyter Mouton, [2017] ©2017
Series: Handbooks of English and American studies, 6.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
"The Handbook of British Romanticism is a state of the art investigation of Romantic literature and theory, a field that probably changed more quickly and more fundamentally than any other traditional era in literary studies. Since the early 1980s, Romantic studies has widened its scope significantly: The canon has been expanded, hitherto ignored genres have been investigated and new topics of research explored.  Read more...
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Genre/Form: Electronic books
Criticism, interpretation, etc
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Ralf Haekel
ISBN: 9783110376692 3110376695 9783110393408 3110393409 9783110376708 3110376709
OCLC Number: 1004876489
Language Note: In English.
Description: 1 online resource (725 pages).
Contents: Romanticism and theory : an introduction / Ralf Haekel --
Part 1. Systematic questions --
Political and social history c. 1780-1832 / Gerold Sedlmayr --
Gender and class / Ina Schabert --
Regional Romanticisms / Katharina Rennhak --
Urban Romanticism / Jens Martin Gurr --
Romanticism and the philosophy of religion / Stephen Prickett --
Popular and media culture / Christoph Reinfandt --
Science and knowledge / Ute Berns --
The European context / Rolf Lessenich --
Part 2. Romantic genres --
The lyric / Michael O’Neill --
Theatre and drama / Frederick Burwick --
Fiction / Sandra Heinen --
Romantic travel books / Michael Meyer --
Part 3. Close readings --
Robert Burns, selected poetry (1791-1795) / Kirsten Sandrock --
William Blake, America (1793) / Roger Lüdeke --
William Godwin, Caleb Williams (1794) / Helga Schwalm --
Ann Radcliffe, The mysteries of Udolpho (1794) / Jan Alber --
Joanna Baillie, Plays on the passions (1798) / Barbara Schaff --
William Wordsworth and Samuel Taylor Coleridge, Lyrical ballads (1798, 1800) / Sebastian Domsch --
Samuel Taylor Coleridge, "The rime of the ancient mariner" (1798) / James Vigus --
Maria Edgeworth, Castle Rackrent (1800) / Kerstin Fest --
William Wordsworth, The prelude (1798, 1799, 1805, 1850) / Mark J. Bruhn --
Mary Tighe, Psyche (1805) / Harriet Kramer Linkin --
Sydney Owenson (Lady Morgan), The wild Irish girl (1806) / Ralf Haekel --
Charlotte Smith, Beachy Head (1807) / Anca-Raluca Radu --
Anna Letitia Barbauld, Eighteen hundred and eleven (1812) / Olivia Murphy --
Thomas Moore, Irish melodies (1808- 1834) / Frank Erik Pointner ; Dennis Weißenfels --
Jane Austen, Pride and prejudice (1813) / Susanne Bayerlipp ; Johannes Schlegel --
Sir Walter Scott, Waverley (1814) / Frauke Reitemeier --
Mary Shelley, Frankenstein (1818) / Johannes Schlegel --
Lord Byron, Don Juan (1818-1824) / Norbert Lennartz --
John Keats, the odes (1819) / Wolfgang G. Müller --
Percy Bysshe Shelley, selected poetry (1819-1822) / Susanne Schmid --
Charles Maturin, Melmoth the wanderer (1820) / Felicitas Meifert-Menhard --
James Hogg, The confessions of a justified sinner (1824) / Ian Campbell --
Felicia Hemans, The forest sanctuary (1825) / Diego Saglia --
William Hazlitt, The spirit of the age (1825) / Jon Cook --
Thomas Lovell Beddoes, Death's jest-book (1829) / Maximiliaan van Woudenberg --
Thomas Carlyle, Sartor resartus (1833-1834) / Tiana M. Fischer.
Series Title: Handbooks of English and American studies, 6.
Responsibility: Ralf Haekel.
More information:

Abstract:

"The Handbook of British Romanticism is a state of the art investigation of Romantic literature and theory, a field that probably changed more quickly and more fundamentally than any other traditional era in literary studies. Since the early 1980s, Romantic studies has widened its scope significantly: The canon has been expanded, hitherto ignored genres have been investigated and new topics of research explored. After these profound changes, intensified by the general crisis of literary theory since the turn of the millennium, traditional concepts such as subjectivity, imagination and the creative genius have lost their status as paradigms defining Romanticism. The handbook will feature discussions of key concepts such as history, class, gender, science and the use of media as well as a thorough account of the most central literary genres around the turn of the 19th century. The focus of the book, however, will lie on a discussion of key literary texts in the light of the most recent theoretical developments. Thus, the Handbook of British Romanticism will provide students with an introduction to Romantic literature in general and literary scholars with a discussion of innovative and groundbreaking theoretical developments"--Provided by publisher.

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