aller au contenu
Handel Aperçu de cet ouvrage
FermerAperçu de cet ouvrage
Vérifiant…

Handel

Auteur : Donald Burrows
Éditeur : New York : Schirmer Books : Maxwell Macmillan International, ©1994.
Collection : Master musicians series.
Édition/format :   Livre : Biographie : Anglais : 1st Amer. edVoir toutes les éditions et les formats
Base de données :WorldCat
Résumé :
George Frideric Handel was a defining figure of the late Baroque era, shaping its music for the theatre in much the same way J. S. Bach dominated the writing of music for use in church. Perhaps best known for bringing the oratorio form to an English-speaking audience with masterworks such as Messiah, Handel also had a distinguished career as a composer of Italian operas, and furthermore found time to influence the  Lire la suite...
Évaluation :

(pas encore évalué) 0 avec des critiques - Soyez le premier.

Sujets
Plus comme ceci

 

Trouver un exemplaire dans la bibliothèque

&AllPage.SpinnerRetrieving; Recherche de bibliothèques qui possèdent cet ouvrage...

Détails

Genre/forme : Biography
Biographies
Format – détails additionnels : Online version:
Burrows, Donald, 1945-
Handel.
New York : Schirmer Books : Maxwell Macmillan International, c1994
(OCoLC)654904154
Personne nommée : George Frideric Handel; George Frideric Handel; George Frideric Handel; Georg Friedrich Händel; George Frideric Handel
Type d’ouvrage : Biographie
Format : Livre
Tous les auteurs / collaborateurs : Donald Burrows
ISBN : 0028703278 9780028703275
Numéro OCLC : 27812935
Description : xii, 491 p. : ill. ; 24 cm.
Contenu : Germany, 1685-1706 --
Italy and Hanover, 1706-10 --
Music for Germany and Italy, 1706-10 --
London: The first decade, 1711-19 --
The music, 1711-19 --
The 'academy' years, 1720-32 --
The music of the 'academy' years --
The transitionall decade I: competition, 1732-7 --
The transitional decade II: confusion, 1737-41 --
The music, 1732-41 --
The oratorio composer I: Dublin and London, 1741-5 --
The oratorio composer II: towards victory, 1745-9 --
The music of the 1740s --
The final decade I: The last major works, 1749-51 --
The final decade II: A career completed.
Titre de collection : Master musicians series.
Responsabilité : Donald Burrows.

Résumé :

George Frideric Handel was a defining figure of the late Baroque era, shaping its music for the theatre in much the same way J. S. Bach dominated the writing of music for use in church. Perhaps best known for bringing the oratorio form to an English-speaking audience with masterworks such as Messiah, Handel also had a distinguished career as a composer of Italian operas, and furthermore found time to influence the development of orchestral music by writing such works as the Water Music and Music for the Royal Fireworks. Donald Burrows's new biography relates Handel's life and his music, devoting particular attention to two crucial junctures in Handel's development: his transition from a church-trained musician in Germany to a successful opera composer in London, and the gradual transformation of his theatre career from opera to oratorio, some thirty years later. In the oratorio form, as Burrows demonstrates, Handel was able to combine the techniques of large-scale construction and of aria writing that he had developed in his operas with an experience of choral music that went back to his earliest training as a church organist. The result was music that succeeds to this day in capturing the imagination of a vast audience. The last half-century has seen Handel take a major place in modern musical scholarship. This book takes into account not only recent knowledge of historical sources and significant studies of Handel's major works, but also research on Handel's "borrowing" practices, his habit of using the existing musical ideas of other composers as well as his own. Yet Handel remains unsurpassed as one of the greatest compositional architects in the history of Western music, with a sure instinct for both balance and originality in the final result. In this insightful study, Donald Burrows brings to life not only the glory of Handel's artistry, but also his sometimes elusive personality, and the flavor of the times and places in which he lived.

Critiques

Critiques d’utilisateurs
Récupération des critiques de GoodReads...
Récuperation des critiques DOGObooks…

Tags

Soyez le premier.
Confirmez cette demande

Vous avez peut-être déjà demandé cet ouvrage. Veuillez sélectionner OK si vous voulez poursuivre avec cette demande quand même.

Données liées


<http://www.worldcat.org/oclc/27812935>
library:oclcnum"27812935"
library:placeOfPublication
library:placeOfPublication
owl:sameAs<info:oclcnum/27812935>
rdf:typeschema:Book
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:about
schema:bookEdition"1st Amer. ed."
schema:copyrightYear"1994"
schema:creator
schema:datePublished"1994"
schema:description"Germany, 1685-1706 -- Italy and Hanover, 1706-10 -- Music for Germany and Italy, 1706-10 -- London: The first decade, 1711-19 -- The music, 1711-19 -- The 'academy' years, 1720-32 -- The music of the 'academy' years -- The transitionall decade I: competition, 1732-7 -- The transitional decade II: confusion, 1737-41 -- The music, 1732-41 -- The oratorio composer I: Dublin and London, 1741-5 -- The oratorio composer II: towards victory, 1745-9 -- The music of the 1740s -- The final decade I: The last major works, 1749-51 -- The final decade II: A career completed."@en
schema:description"George Frideric Handel was a defining figure of the late Baroque era, shaping its music for the theatre in much the same way J. S. Bach dominated the writing of music for use in church. Perhaps best known for bringing the oratorio form to an English-speaking audience with masterworks such as Messiah, Handel also had a distinguished career as a composer of Italian operas, and furthermore found time to influence the development of orchestral music by writing such works as the Water Music and Music for the Royal Fireworks. Donald Burrows's new biography relates Handel's life and his music, devoting particular attention to two crucial junctures in Handel's development: his transition from a church-trained musician in Germany to a successful opera composer in London, and the gradual transformation of his theatre career from opera to oratorio, some thirty years later. In the oratorio form, as Burrows demonstrates, Handel was able to combine the techniques of large-scale construction and of aria writing that he had developed in his operas with an experience of choral music that went back to his earliest training as a church organist. The result was music that succeeds to this day in capturing the imagination of a vast audience. The last half-century has seen Handel take a major place in modern musical scholarship. This book takes into account not only recent knowledge of historical sources and significant studies of Handel's major works, but also research on Handel's "borrowing" practices, his habit of using the existing musical ideas of other composers as well as his own. Yet Handel remains unsurpassed as one of the greatest compositional architects in the history of Western music, with a sure instinct for both balance and originality in the final result. In this insightful study, Donald Burrows brings to life not only the glory of Handel's artistry, but also his sometimes elusive personality, and the flavor of the times and places in which he lived."@en
schema:exampleOfWork<http://worldcat.org/entity/work/id/325146>
schema:genre"Biography"@en
schema:genre"Biography."@en
schema:inLanguage"en"
schema:name"Handel"@en
schema:numberOfPages"491"
schema:publisher
schema:publisher
schema:url
schema:workExample

Content-negotiable representations

Fermer la fenêtre

Veuillez vous identifier dans WorldCat 

Vous n’avez pas de compte? Vous pouvez facilement créer un compte gratuit.