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Hans Bellmer : the anatomy of anxiety

Author: Sue Taylor
Publisher: Cambridge, Mass. : MIT Press, ©2000.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
"The German-born surrealist Hans Bellmer (1902-1975), best known for his life-size pubescent dolls, devoted an artistic lifetime to creating sexualized images of the female body - distorted, dismembered, or menaced in sinister scenarios. In this book Sue Taylor draws on psycho-analytic theory to suggest why Bellmer was so driven by erotomania as well as a desire for revenge, suffering, and the safety of the womb.
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Details

Genre/Form: Criticism, interpretation, etc
Named Person: Hans Bellmer; Hans Bellmer; Hans Bellmer; Hans Bellmer
Document Type: Book
All Authors / Contributors: Sue Taylor
ISBN: 0262201305 9780262201308
OCLC Number: 44133139
Description: xxii, 310 pages : illustrations (some color) ; 24 cm
Contents: Fetishism and the First Doll --
The Self-Proclaimed Oedipal Son --
An Iconography of the Nursery --
Uncanny Automata --
Sadomasochism, Castration Anxiety, and the Ball-Jointed Doll --
Doll Games: Pleasure in Pain --
Pseudorationality and the Virtual Body --
Mechanical Metaphors in the Service of Symmetry --
Transgression, Pornography, Scoptophilia --
Bellmer Illustrates Bataille --
Loving and Loathing the Father --
The Resort to Perversion --
Hans Bellmer, "The Father" --
Hans Bellmer, "Notes on the Subject of the Ball Joint" --
Hans Bellmer, "Striptease."
Responsibility: Sue Taylor.

Abstract:

"The German-born surrealist Hans Bellmer (1902-1975), best known for his life-size pubescent dolls, devoted an artistic lifetime to creating sexualized images of the female body - distorted, dismembered, or menaced in sinister scenarios. In this book Sue Taylor draws on psycho-analytic theory to suggest why Bellmer was so driven by erotomania as well as a desire for revenge, suffering, and the safety of the womb. Although he styled himself as the quintessential Oedipal son, an avant-garde artist in perpetual rebellion against a despised father, Taylor contends that his filial attitude was more complex than he could consciously allow.

Tracing a repressed homoerotic attachment to his father, castration anxiety, and an unconscious sense of guilt, Taylor proposes that a feminine identification informs all the disquieting aspects of Bellmer's art." "Most scholarship to date has focused on Bellmer's work of the 1930s, especially the infamous dolls and the photographs he made of them. Taylor extends her discussion to the sexually explicit prints, drawings, paintings, and photographs he produced throughout the ensuing three decades. The book includes a color frontispiece and 121 black-and-white images (eight published here for the first time), as well as appendixes containing several significant texts by Bellmer previously unavailable in English."--Jacket.

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