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Harmony in context

Author: Miguel A Roig-Francolí
Publisher: Boston : McGraw-Hill, ©2003.
Edition/Format:   Print book : EnglishView all editions and formats
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Genre/Form: Textbooks
Additional Physical Format: Online version:
Roig-Francolí, Miguel A., 1953-
Harmony in context.
Boston : McGraw-Hill, ©2003
(OCoLC)651953635
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Miguel A Roig-Francolí
ISBN: 0697354873 9780697354877 9780072937114 0072937114
OCLC Number: 47283219
Notes: Includes index.
Description: xvi, 920 pages : illustrations ; 24 cm
Contents: THE FUNDAMENTALS OF MUSIC --
Pitch: Notation and Intervals --
Rhythm and Meter --
Tonality: Scales, Keys, and Transposition --
Introduction to Species Counterpoint --
The Rudiments of Harmony I: Triads and Seventh Chords --
The Rudiments of Harmony II: Labeling Chords --
Musical Style --
DIATONIC HARMONY --
The Connection of Chords --
The Tonic and Dominant Triads in Root Position --
Harmonic Function; the Subdominant Triad in Root Position --
Texture; Triads in First Inversion --
Cadences --
Melodic Organization I: Phrase Structure --
Melodic Organization II: Thematic Development; Phrase Extension; Formal Functions --
Nonchord Tones --
6/4 Chords --
The Supertonic; Metric Reduction --
Harmonic Rhythm. Hypermeter --
The Dominant Seventh and Its Inversions --
The Leading-Tone Triad --
The Mediant, Submediant, and Subtonic Triads; Diatonic Sequences --
Other Diatonic Seventh Chords --
Application: Diatonic Harmony in Context; Diatonic Functions and Performance --
CHROMATIC HARMONY AND FORM --
Secondary Dominants I --
Secondary Dominants II --
Secondary Leading-Tone Chords --
Modulation to Closely-Related Keys --
Small Forms: Binary and Ternary --
Contrapuntal Genres --
Modal Mixture. Variation Forms --
The Neapolitan and Augmented Sixth Chords --
Chromatic Modulatory Techniques; Modulation to Distantly Related Keys --
Introduction to Large Forms --
Expanding Functional Tonality: Extended Tertian Chords; Linear Chromaticism II --
The German Romantic Lied: Chromatic Harmony in Context --
29 Toward (And Beyond) the Limits of Functional Tonality --
Non-Functional Pitch Centricity.
Responsibility: Miguel A. Roig-Francolí.
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