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Harmony in Haydn and Mozart

Author: David Damschroder
Publisher: Cambridge : Cambridge University Press, 2012.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Database:WorldCat
Summary:
Innovative analytical techniques provide a penetrating view of how Haydn and Mozart employ harmony in their compositions.
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Damschroder, David
Harmony in Haydn and Mozart
Cambridge : Cambridge University Press,c2012
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: David Damschroder
ISBN: 9781139552462 1139552465
OCLC Number: 818859095
Notes: Description based upon print version of record.
The exposition's primary-theme zone (P, measures 1-8)
Description: 1 online resource (312 p.)
Contents: Cover; Harmony in Haydn and Mozart; Title; Copyright; Contents; Preface; PART ONE: Methodological Orientation; 1 Harmonic practice in the late eighteenth century: twelve excerpts from string quartets by Haydn and Mozart; Haydn: String Quartet in D Major (op. 76, no. 5), movement 1, measures 0|1-8; Haydn: String Quartet in D Minor (op. 42), movement 3, measures 1-12; Mozart: String Quartet in D Minor (K. 421), movement 1, measures 83|84-88; Haydn: String Quartet in A Major (op. 55, no. 1), movement 1, measures 145|146-164; Mozart: String Quartet in D Minor (K. 421), movement 3, measures 0|1-10 Mozart: String Quartet in E&flat, Major (K. 428), movement 1, measures 40-48Mozart: String Quartet in E&flat, Major (K. 428), movement 1, measures 12-24; Haydn: String Quartet in B Minor (op. 33, no. 1), movement 1, measures 0|1-12; Haydn: String Quartet in F Minor (op. 55, no. 2), movement 1, measures 17-26; Haydn: String Quartet in E&flat, Major (op. 71, no. 3), movement 2, measures 0|1-16; Haydn: String Quartet in D Major (op. 71, no. 2), movement 1, measures 33-38; Haydn: String Quartet in G Major (op. 54, no. 1), movement 2, measures 34-52 2 Anatomy of the I-II&sharp,-V two-part exposition: twelve keyboard sonatas by HaydnThe primary-theme zone (P); The transition (TR); The secondary-theme zone (S); The closing zone (C); 3 Composition in a minor key: six arias in G Minor from operas by Mozart; "Nel sen mi palpita dolente il core" from Mitridate, re di Ponto (K. 87/74a); "Vorrei punirti indegno" from La finta giardiniera (K. 196); "Tiger! wetze nur die Klauen" from Zaide (K. 344/336b); "Padre, germani, addio!" from Idomeneo (K. 366); "Traurigkeit ward mir zum Lose" from Die Entführung aus dem Serail (K. 384) "Ach ich fühl's, es ist verschwunden!" from Die Zauberflöte (K. 620)4 The happy ending: three sonata-rondos in D Major from piano concertos by Haydn and Mozart; The expositional rotation in H. XVIII: 11 (measures 1-77); The developmental rotation in H. XVIII: 11 (measures 78-253); The recapitulatory and coda half-rotations in H. XVIII: 11 (measures 254-321); The expositional rotation in K. 451 (measures 0|1-103); The developmental rotation in K. 451 (measures 104-213); The recapitulatory and coda rotations in K. 451 (measures 213|214-394) The expositional rotation in K. 537 (measures 0|1-151)The recapitulatory rotation and coda half-rotation in K. 537 (measures 151|152-374); PART TWO: Masterpieces; 5 Haydn: Symphony No. 45 in F♯ Minor ("Farewell"), movement 2; The exposition's primary-theme zone (P, measures 1-16); The exposition's transition (TR, measures 17-28); The exposition's secondary-theme zone (S, measures 29-71); The exposition's closing zone (C, measures 71-76); The development (measures 77-126); The recapitulation (measures 127-190); 6 Haydn: String Quartet in G Minor (op.)20, no. 3), movement 3

Abstract:

Innovative analytical techniques provide a penetrating view of how Haydn and Mozart employ harmony in their compositions.

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