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Harold Prince : from "Follies" to "Phantom"

Author: Dana Calderwood; Susan E Leventhal; Valerie Schaer; Harold Prince; Arts and Entertainment Network.
Publisher: New York, ©1988.
Edition/Format:   Video : Videocassette : NTSC color broadcast system : U-matic   Visual material : English
Database:WorldCat
Summary:
Broadway producer and director Harold Prince discusses his life and career, with emphasis on his collaborations with Stephen Sondheim and on his latest project, Andrew Lloyd Webber's soon-to-open musical The phantom of the opera. Prince also examines his professional relationship with mentor George Abbott, offers observations about several colleagues and contemporaries, and laments the rising costs of staging  Read more...
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Details

Genre/Form: Interviews
Documentaries and factual works
Television
Named Person: Harold Prince; Harold Prince; Harold Prince; George Abbott; Stephen Sondheim; Stephen Sondheim; Stephen Sondheim; Stephen Sondheim; Stephen Sondheim; Andrew Lloyd Webber; Andrew Lloyd Webber; Sarah Brightman; Michael Crawford; Stephen Sondheim; George Abbott; Sarah Brightman; Michael Crawford; Andrew Lloyd Webber; Harold Prince; Stephen Sondheim
Material Type: Videorecording
Document Type: Visual material
All Authors / Contributors: Dana Calderwood; Susan E Leventhal; Valerie Schaer; Harold Prince; Arts and Entertainment Network.
OCLC Number: 54964369
Notes: Credits at end of program.
Credits: Production manager, Susan E. Leventhal ; coordinating producer, Valerie Schaer.
Performer(s): Interviewer: Dana Calderwood.
Description: 1 videocassette (48 min.) : sound, color NTSC ; 3/4 in. (U-matic)
Responsibility: A & E presents ; written and produced by Dana David Calderwood ; a presentation of the A & E Cable Network.

Abstract:

Broadway producer and director Harold Prince discusses his life and career, with emphasis on his collaborations with Stephen Sondheim and on his latest project, Andrew Lloyd Webber's soon-to-open musical The phantom of the opera. Prince also examines his professional relationship with mentor George Abbott, offers observations about several colleagues and contemporaries, and laments the rising costs of staging musical works on Broadway. Includes brief excerpts from The phantom of the opera.

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