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The "headmaster" of Chartres and the origins of "Gothic" sculpture

著者: C Edson Armi
出版: University Park, Pa. : Pennsylvania State University Press, ©1994.
エディション/フォーマット:   書籍 : State or province government publication : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
Despite the aesthetic and historical significance of the Royal Portal, scholars lack concrete knowledge about it since no documentation of its design and construction exists. Nevertheless, over the last century, a set of truths about the facade has become accepted. Employing a new methodology that overcomes the lack of documents with a revised form of connoisseurship, Edson Armi proposes a radically different
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その他のフォーマット: Online version:
Armi, C. Edson.
"headmaster" of Chartres and the origins of "Gothic" sculpture.
University Park, Pa. : Pennsylvania State University Press, c1994
(OCoLC)623168939
関連の人物: Meister der Chartreser Westportale
資料の種類: Government publication, State or province government publication
ドキュメントの種類: 図書
すべての著者/寄与者: C Edson Armi
ISBN: 0271010509 9780271010502
OCLC No.: 27266499
物理形態: xviii, 148, [86] p. : ill., map ; 29 cm.
コンテンツ: Pt. I. The Framework. 1. The Sculptural Frame: Large-Scale Articulation of the Chartres Master. 2. The Sculptural Frame: Small-Scale Decoration of the Chartres Master --
Excursus to Chapter 2: The Typology, Construction, and Function of the Souvigny Facade Reliefs. 3. The Placement of the Figures of the Chartres Master --
Pt. II. The Figure. 4. Consistencies in the Figural Sculpture of the Chartres Master. 5. Changes in the Figural Sculpture of the Chartres Master: Romanesque and Gothic Styles Reconsidered --
Pt. III. The Context. 6. Comparisons With the Sculpture of the Chartres Master: The Headmaster Concept Reconsidered. 7. The Context of the Chartres Master: The Bommiers and Montmorillon Masters and the Axes of the Loire and Bas-Berry.
責任者: C. Edson Armi.
その他の情報:

概要:

Despite the aesthetic and historical significance of the Royal Portal, scholars lack concrete knowledge about it since no documentation of its design and construction exists. Nevertheless, over the last century, a set of truths about the facade has become accepted. Employing a new methodology that overcomes the lack of documents with a revised form of connoisseurship, Edson Armi proposes a radically different biography of the headmaster that has far-reaching implications for the study of Gothic sculpture.

With a new perspective on this, the most important mid-twelfth-century portal, the book concludes that the style and cultural context of Ile-de-France sculpture is less defined and more diverse than previously imagined. More important, the book argues that the forms of art, as well as the design and working procedures in the Paris basin, can no longer be seen as unique or separate from the practices of provincial French art in the period before 1140.

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