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The "headmaster" of Chartres and the origins of "Gothic" sculpture

著者: C Edson Armi
出版商: University Park, Pa. : Pennsylvania State University Press, ©1994.
版本/格式:   图书 : 州政府或者省政府刊物 : 英语查看所有的版本和格式
数据库:WorldCat
提要:
Despite the aesthetic and historical significance of the Royal Portal, scholars lack concrete knowledge about it since no documentation of its design and construction exists. Nevertheless, over the last century, a set of truths about the facade has become accepted. Employing a new methodology that overcomes the lack of documents with a revised form of connoisseurship, Edson Armi proposes a radically different
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附加的形体格式: Online version:
Armi, C. Edson.
"Headmaster" of Chartres and the origins of "Gothic" sculpture.
University Park, Pa. : Pennsylvania State University Press, ©1994
(OCoLC)623168939
提及的人: Meister der Chartreser Westportale.
材料类型: 政府刊物, 州政府或者省政府刊物, 互联网资源
文件类型: 书, 互联网资源
所有的著者/提供者: C Edson Armi
ISBN: 0271010509 9780271010502
OCLC号码: 27266499
描述: xviii, 148, [86] pages : illustrations, map ; 29 cm
内容: pt. I. The Framework. 1. The Sculptural Frame: Large-Scale Articulation of the Chartres Master. 2. The Sculptural Frame: Small-Scale Decoration of the Chartres Master --
Excursus to Chapter 2: The Typology, Construction, and Function of the Souvigny Facade Reliefs. 3. The Placement of the Figures of the Chartres Master --
pt. II. The Figure. 4. Consistencies in the Figural Sculpture of the Chartres Master. 5. Changes in the Figural Sculpture of the Chartres Master: Romanesque and Gothic Styles Reconsidered --
pt. III. The Context. 6. Comparisons With the Sculpture of the Chartres Master: The Headmaster Concept Reconsidered. 7. The Context of the Chartres Master: The Bommiers and Montmorillon Masters and the Axes of the Loire and Bas-Berry.
责任: C. Edson Armi.

摘要:

Despite the aesthetic and historical significance of the Royal Portal, scholars lack concrete knowledge about it since no documentation of its design and construction exists. Nevertheless, over the last century, a set of truths about the facade has become accepted. Employing a new methodology that overcomes the lack of documents with a revised form of connoisseurship, Edson Armi proposes a radically different biography of the headmaster that has far-reaching implications for the study of Gothic sculpture.

With a new perspective on this, the most important mid-twelfth-century portal, the book concludes that the style and cultural context of Ile-de-France sculpture is less defined and more diverse than previously imagined. More important, the book argues that the forms of art, as well as the design and working procedures in the Paris basin, can no longer be seen as unique or separate from the practices of provincial French art in the period before 1140.

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