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Hegel and Shakespeare on moral imagination

Author: Jennifer Ann Bates
Publisher: Albany : State University of New York Press, ©2010.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
Bates examines shapes of self-consciousness & their roles in the interface between reality & drama. Shakespeare's plots & characters are used to shed light on Hegelian dialectic & Hegel's philosophical works on art & politics are used to shed light on Shakespeare's dramas.
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Genre/Form: Criticism, interpretation, etc
Named Person: William Shakespeare; Georg Wilhelm Friedrich Hegel; Georg Wilhelm Friedrich Hegel; William Shakespeare; William Shakespeare; Georg Wilhelm Friedrich Hegel; William Shakespeare; Georg Wilhelm Friedrich Hegel
Document Type: Book
All Authors / Contributors: Jennifer Ann Bates
ISBN: 9781438432410 1438432410
OCLC Number: 498371120
Description: xxiv, 378 pages ; 24 cm
Contents: A Hegelian reading of good and bad luck in Shakespearean drama (phen. of spirit, King Lear, Othello, Hamlet, a Midsummer night's dream) --
Tearing the fabric: Hegel's Antigone, Shakespeare's Coriolanus, and kinship-state conflict (phen. of spirit c. 6, Judith Butler's Antigone, Coriolanus) --
Aufhebung and anti-aufhebung: geist and ghosts in Hamlet (phen. of spirit, Hamlet) --
The problem of genius in King Lear: Hegel on the feeling soul and the tragedy of wonder (anthropology and psychology in the encyclopaedia, Philosophy of mind, King Lear) --
Richard II's mirror and the alienation of the Universal Will (of the I that is a We) (Richard II, phen. of spirit c. 5) --
Falstaff and the politics of wit: negative infinite judgment in a culture of alienation (Henry IV parts I & II, phen. of spirit c. 6, philosophy of right) --
Henry V's unchangeableness: his rejection of wit and his posture of virtue reinterpreted in the light of Hegel's theory of virtue (philosophy of right, Henry V) --
Hegel's theory of crime and evil: (re)tracing the rights of the sovereign self (aesthetics, phen. of spirit, phil. of right, Richard II through to Henry V) --
Richard III, Hamlet, Macbeth and Henry V: conscience, hypocrisy, self-deceit and the tragedy of ethical life (phil. of right, Richard III, Hamlet, Macbeth, Henry V) --
Negation of the negative infinite judgment versus sublation of it: punishment vs. pardon (phil. of right, phen. of spirit c. 6 and Henry VIII) --
Universal wit : the absolute theater of identity (phen. of spirit c. 6 and 8, Pericles, the Tempest) --
Absolute infections and their cure (phen. of spirit c. 6, the Winter's tale).
Responsibility: Jennifer Ann Bates.

Abstract:

Bates examines shapes of self-consciousness & their roles in the interface between reality & drama. Shakespeare's plots & characters are used to shed light on Hegelian dialectic & Hegel's philosophical works on art & politics are used to shed light on Shakespeare's dramas.

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