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Heinrich Heine and Giacomo Leopardi : the rhetoric of Midrash

Author: Delia Fabbroni-Giannotti Nisbet
Publisher: New York : P. Lang, ©2000.
Series: Studies on themes and motifs in literature, v. 47.
Edition/Format:   Print book : EnglishView all editions and formats
Database:WorldCat
Summary:
"This book breaks new ground in the field of Heine and Leopardi scholarship by providing a critical analysis of similarities between the rhetorical strategies of Heinrich Heine's text Ludwig Borne. Eine Denkschrift and Giacomo Leopardi's "Il Cantico del Gallo Silvestre" (in Operette Morali) and the midrashic process.
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Additional Physical Format: Online version:
Nisbet, Delia Fabbroni-Giannotti, 1943-
Heinrich Heine and Giacomo Leopardi.
New York : P. Lang, ©2000
(OCoLC)617871340
Named Person: Heinrich Heine; Giacomo Leopardi; Heinrich Heine; Heinrich Heine; Giacomo Leopardi; Giacomo Leopardi; Giacomo Leopardi; Heinrich Heine; Ludwig Börne
Document Type: Book
All Authors / Contributors: Delia Fabbroni-Giannotti Nisbet
ISBN: 082044152X 9780820441528
OCLC Number: 39256594
Description: viii, 151 pages ; 24 cm.
Contents: 1. Ludwig Borne. Eine Denkschrift by Heinrich Heine. Denkschrift: Memoire --
Memoires. Historical Strands with Dialogical Narrativity. Borne, Heine and Emancipation. Heine's and Borne's Understanding of the New Prosaic Style. Signatur: Pseudo-Midrashic Thought Process. Traditional Aesthetic and Rhetorical Norms versus Heine's Pseudo-Midrashic Rhetorical Style. Pseudo-Midrashic Interpretation of some of Heine's Key Configurations --
2. "Cantico del Gallo Silvestre" [Cantic of the Sylvan Cock] in Operette Morali' by Giacomo Leopardi. Leopardi's Theory of Language: The Principle of Concomitant Ideas. Leopardi's Concepts of "Parola"[Word], "Voci Proprie" [Associated Words], "Idee Concomitanti"[Concomitant Ideas], and Hebraic Hermeneutics. Textual Analogies and Paraphrastic Targumic Influences in Leopardi's "Cantico del Gallo Silvestre" [Cantic of the Sylvan Cock]. Leopardi's "Cantico del Gallo Silvestre" [Cantic of the Sylvan Cock] as Pseudo-Midrashic, Targumic Commentary.
Series Title: Studies on themes and motifs in literature, v. 47.
Responsibility: Delia Fabbroni-Giannotti Nisbet.

Abstract:

"This book breaks new ground in the field of Heine and Leopardi scholarship by providing a critical analysis of similarities between the rhetorical strategies of Heinrich Heine's text Ludwig Borne. Eine Denkschrift and Giacomo Leopardi's "Il Cantico del Gallo Silvestre" (in Operette Morali) and the midrashic process.

In their texts, Heine and Leopardi interweave biblical references, historical events, and personal encounters with their narrative and juxtapose them to a contemporary situation, thus presenting the reader with their interpretation of an existential experience. These narratives are midrashic in inviting multiple interpretations of equal validity.

In an age imbued with optimism, Heine and Leopardi discredit the whole tradition of the eschatological messianic message of redemption and negate the Enlightenment's belief in the renewal of society."--Jacket.

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