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Heroines of the French epic : a second selection of chansons de geste

Author: Michael A Newth
Publisher: Woodbridge, Suffolk : D.S. Brewer, 2014. ©2014
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
The epic tales of medieval France, called chansons de geste, or "songs of deeds", provided the chief means of cultural and imaginative expression in the French language for over one hundred and fifty years (c.1100-1250), during one of the most significant periods of social change in the history of Western civilisation. Yet they remain largely unknown to most English-speaking readers of the twenty-first century. In  Read more...
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Genre/Form: Electronic books
Translations
Translations into English
Additional Physical Format: Print version:
(DLC) 2013498635
(OCoLC)874522383
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Michael A Newth
ISBN: 9781782042853 1782042857
OCLC Number: 884863411
Description: 1 online resource (xi, 422 pages .)
Contents: PART I --
Saracen Sirens --
The capture of Orange (c. 1150) --
The song of Floovant (c. 1170) --
PART II --
Bartered Brides --
Aye of Avignon (c. 1180) --
Aye of Avignon II (c. 1190) --
PART III --
Martyred Minds --
The song of Blancheflor (c. 1240) --
Bertha Broad-Foot (c. 1270).
Responsibility: translated by Michael A.H. Newth.

Abstract:

The epic tales of medieval France, called chansons de geste, or "songs of deeds", provided the chief means of cultural and imaginative expression in the French language for over one hundred and fifty years (c.1100-1250), during one of the most significant periods of social change in the history of Western civilisation. Yet they remain largely unknown to most English-speaking readers of the twenty-first century. In Heroes of the Old French Epic (Boydell, 2005) Michael Newth translated a selection of the traditional militaristic narratives dominated by male heroes. This oral-based epic genre was increasingly influenced by the ethos of romance, and the present volume offers full English verse translations of six more of these songs, each chosen this time to illustrate the range of roles gradually accorded to women in these originally militaristic narratives. Four key narrative roles have been selected - woman as helpmeet, woman as lover, woman as victim, and woman as spiritual model - in order to illustrate some major changes in the social status of women that took place during the period of this popular genre's existence. These poems are a key witness to the final stages of the chansons de geste before they were overtaken by the new fashion for the fictions of courtly romance. Apart from "The Capture of Orange", which has never been translated into modern English verse, none of the poems have yet appeared in English translation.

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This is a book that should have a key place on the shelves of all keen medievalists and anyone interested in French literature....Newth is a skilled and experienced translator of the genre: this Read more...

 
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