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Hieronymus Bosch, Garden of earthly delights

Autore: Hans Belting; Hieronymus Bosch
Editore: Munich ; London ; New York : Prestel, 2012.
Edizione/Formato:   Libro : EnglishVedi tutte le edizioni e i formati
Banca dati:WorldCat
Sommario:
"Hans Belting avoids interpreting Hieronymus Bosch's triptych, The Garden of Earthly Delights, as a heretical masterpiece, a personal examination of the church's dogmas, or as an opulent illustration of the Creation. Instead, he sees the panels as a painted Utopia, reflecting the zeitgeist of the period. He links the work to the humanist theories of Thomas More and Willibald Pirckheimer and examines the question  Per saperne di più…
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Informazioni aggiuntive sul formato: Online version:
Belting, Hans.
Hieronymus Bosch, Garden of earthly delights.
Munich ; New York : Prestel Pub., c2002
(OCoLC)606674493
Persona incaricata: Hieronymus Bosch; Hieronymus Bosch; Hieronymus Bosch; Hieronymus Bosch
Tipo documento: Book
Tutti gli autori / Collaboratori: Hans Belting; Hieronymus Bosch
ISBN: 3791333208 9783791333205
Numero OCLC: 829228470
Descrizione: 125 p. : col. ill. ; 25 cm.
Contenuti: A tale of fascination --
In a painted labyrinth of the gaze --
The world before humankind --
The world as earthly paradise --
The world as hell --
Another world --
The artist and his hometown --
In the Palais Nassau --
A gap in the Bible --
Cardinal Grimani's altarpiece --
A new concept of art in dialogue with literature --
Rival dreams of paradise --
The isle of nowhere --
Fiction and humanist portraiture: an excursus.
Altri titoli: Hieronymus Bosch, Garten der Lüste.
Responsabilità: Hans Belting ; [translated from the German].
Maggiori informazioni:

Abstract:

"Hans Belting avoids interpreting Hieronymus Bosch's triptych, The Garden of Earthly Delights, as a heretical masterpiece, a personal examination of the church's dogmas, or as an opulent illustration of the Creation. Instead, he sees the panels as a painted Utopia, reflecting the zeitgeist of the period. He links the work to the humanist theories of Thomas More and Willibald Pirckheimer and examines the question that Bosch posed: "What would the world have been like without the Fall?" In addition, the author determines the secular patron and analyses the intended purpose of the painting."--BOOK JACKET.

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