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Hieronymus Bosch, Garden of earthly delights

著者: Hans Belting; Hieronymus Bosch
出版: Munich ; London ; New York : Prestel, 2012.
エディション/フォーマット:   book_printbook : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
"Hans Belting avoids interpreting Hieronymus Bosch's triptych, The Garden of Earthly Delights, as a heretical masterpiece, a personal examination of the church's dogmas, or as an opulent illustration of the Creation. Instead, he sees the panels as a painted Utopia, reflecting the zeitgeist of the period. He links the work to the humanist theories of Thomas More and Willibald Pirckheimer and examines the question  続きを読む
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ジャンル/形式: Criticism, interpretation, etc
その他のフォーマット: Online version:
Belting, Hans.
Hieronymus Bosch, Garden of earthly delights.
Munich ; New York : Prestel Pub., ©2002
(OCoLC)606674493
関連の人物: Hieronymus Bosch; Hieronymus Bosch; Hieronymus Bosch; Hieronymus Bosch; Hieronymus Bosch
ドキュメントの種類: 図書
すべての著者/寄与者: Hans Belting; Hieronymus Bosch
ISBN: 3791333208 9783791333205 9783791382050 3791382055
OCLC No.: 829228470
物理形態: 125 pages : color illustrations ; 25 cm
コンテンツ: A tale of fascination --
In a painted labyrinth of the gaze --
The world before humankind --
The world as earthly paradise --
The world as hell --
Another world --
The artist in his home town --
In the Palais Nassau --
A gap in the Bible --
Cardinal Grimani's altarpiece --
A new concept in art in dialogue with literature --
Rival dreams of paradise --
The isle of nowhere --
Fiction and humanist portraiture: an excursus.
その他のタイトル: Hieronymus Bosch, Garten der Lüste.
責任者: Hans Belting ; [translated from the German].
その他の情報:

概要:

"Hans Belting avoids interpreting Hieronymus Bosch's triptych, The Garden of Earthly Delights, as a heretical masterpiece, a personal examination of the church's dogmas, or as an opulent illustration of the Creation. Instead, he sees the panels as a painted Utopia, reflecting the zeitgeist of the period. He links the work to the humanist theories of Thomas More and Willibald Pirckheimer and examines the question that Bosch posed: "What would the world have been like without the Fall?" In addition, the author determines the secular patron and analyses the intended purpose of the painting."--Jacket.

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