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Hieronymus Bosch, Garden of earthly delights

Auteur: Hans Belting; Hieronymus Bosch
Uitgever: Munich ; London ; New York : Prestel, 2012.
Editie/Formaat:   Print book : EngelsAlle edities en materiaalsoorten bekijken.
Database:WorldCat
Samenvatting:
"Hans Belting avoids interpreting Hieronymus Bosch's triptych, The Garden of Earthly Delights, as a heretical masterpiece, a personal examination of the church's dogmas, or as an opulent illustration of the Creation. Instead, he sees the panels as a painted Utopia, reflecting the zeitgeist of the period. He links the work to the humanist theories of Thomas More and Willibald Pirckheimer and examines the question  Meer lezen...
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Details

Genre/Vorm: Criticism, interpretation, etc
Aanvullende fysieke materiaalsoort: Online version:
Belting, Hans.
Hieronymus Bosch, Garden of earthly delights.
Munich ; New York : Prestel Pub., ©2002
(OCoLC)606674493
Genoemd persoon: Hieronymus Bosch; Hieronymus Bosch; Hieronymus Bosch; Hieronymus Bosch; Hieronymus Bosch
Soort document: Boek
Alle auteurs / medewerkers: Hans Belting; Hieronymus Bosch
ISBN: 3791333208 9783791333205
OCLC-nummer: 829228470
Beschrijving: 125 pages : color illustrations ; 25 cm
Inhoud: A tale of fascination --
In a painted labyrinth of the gaze --
The world before humankind --
The world as earthly paradise --
The world as hell --
Another world --
The artist and his hometown --
In the Palais Nassau --
A gap in the Bible --
Cardinal Grimani's altarpiece --
A new concept of art in dialogue with literature --
Rival dreams of paradise --
The isle of nowhere --
Fiction and humanist portraiture: an excursus.
Andere titels: Hieronymus Bosch, Garten der Lüste.
Verantwoordelijkheid: Hans Belting ; [translated from the German].
Meer informatie:

Fragment:

"Hans Belting avoids interpreting Hieronymus Bosch's triptych, The Garden of Earthly Delights, as a heretical masterpiece, a personal examination of the church's dogmas, or as an opulent illustration of the Creation. Instead, he sees the panels as a painted Utopia, reflecting the zeitgeist of the period. He links the work to the humanist theories of Thomas More and Willibald Pirckheimer and examines the question that Bosch posed: "What would the world have been like without the Fall?" In addition, the author determines the secular patron and analyses the intended purpose of the painting."--Jacket.

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Gekoppelde data


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