详细书目
| 附加的形体格式: | Online version: Willis, Sharon, 1955- High contrast. Durham, N.C. : Duke University Press, 1997 (OCoLC)605217512 |
|---|---|
| 文件类型: | 书 |
| 所有的著者/提供者: |
Sharon Willis |
| ISBN: | 0822320290 9780822320296 082232041X 9780822320418 |
| OCLC号码: | 36696385 |
| 描述: | 266 p. ; 24 cm. |
| 内容: | Pt. 1. Battles of the sexes. Mutilated masculinities and their prosthesis: Die Hards and Lethal Weapons. Insides out: public and private exchanges from Fatal Attraction to Basic Instinct. Combative femininity: Thelma and Louise and Terminator 2 -- Pt. 2. Ethnographies of the "White" gaze. Do the wrong thing: David Lynch's perverse style. Tell th right story: Spike Lee and the politics of representative style. Borrowed "Style": Quentin Tarantino's figures of masculinity. |
| 责任: | Sharon Willis. |
摘要:
In High Contrast, Sharon Willis examines the dynamic relationships between racial and sexual difference in Hollywood film from the 1980s and 1990s. Seizing on the way these differences are accentuated, sensationalized, and eroticized on the screen - most often with little apparent regard for the political context in which they operate - Willis restores that context through close readings of a range of movies from cinematic blockbusters to the work of the new auteurs, Spike Lee, David Lynch, and Quentin Tarantino.
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由 joeroul 已更新 2010-10-24

