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The hip hop wars : what we talk about when we talk about hip hop--and why it matters

著者: Tricia Rose
出版: New York : BasicCivitas, ©2008.
エディション/フォーマット:   book_printbook : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
From the Publisher: Hip-hop is in crisis. For the past dozen years, the most commercially successful hip-hop has become increasingly saturated with caricatures of black gangstas, thugs, pimps, and 'hos. The controversy surrounding hip-hop is worth attending to and examining with a critical eye because, as scholar and cultural critic Tricia Rose argues, hip-hop has become a primary means by which we talk about race  続きを読む
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その他のフォーマット: Online version:
Rose, Tricia.
Hip hop wars.
New York : BasicCivitas, ©2008
(OCoLC)607733659
Online version:
Rose, Tricia.
Hip hop wars.
New York : BasicCivitas, ©2008
(OCoLC)609144711
資料の種類: インターネット資料
ドキュメントの種類: 図書, インターネットリソース
すべての著者/寄与者: Tricia Rose
ISBN: 9780465008971 0465008976
OCLC No.: 191926020
物理形態: xii, 308 pages ; 24 cm
コンテンツ: Preface --
Introduction --
Part 1: Top Ten Debates In Hip Hop --
Hip hop's critics --
1: Hip hop causes violence --
2: Hip hop reflects black dysfunctional ghetto culture --
3: Hip hop hurts black people --
4: Hip hop is destroying America's values --
5: Hip hop demeans women --
Hip hop's defenders --
6: Just keeping it real --
7: Hip hop is not responsible for sexism --
8: There are bitches and hoes --
9: We're not role models --
10: Nobody talks about the positive in hip hop --
Part 2: Progressive Futures --
11: Mutual denials in the hip hop wars --
12: Progressive voices, energies, and visions --
13: Six guiding principles for progressive creativity, consumption, and community in hip hop and beyond --
Appendix: Radio station consolidation --
Acknowledgments --
Notes --
Bibliography --
Index.
その他のタイトル: What we talk about when we talk about hip hop--and why it matters
責任者: Tricia Rose.
その他の情報:

概要:

From the Publisher: Hip-hop is in crisis. For the past dozen years, the most commercially successful hip-hop has become increasingly saturated with caricatures of black gangstas, thugs, pimps, and 'hos. The controversy surrounding hip-hop is worth attending to and examining with a critical eye because, as scholar and cultural critic Tricia Rose argues, hip-hop has become a primary means by which we talk about race in the United States. In The Hip-Hop Wars, Rose explores the most crucial issues underlying the polarized claims on each side of the debate: Does hip-hop cause violence, or merely reflect a violent ghetto culture? Is hip-hop sexist, or are its detractors simply anti-sex? Does the portrayal of black culture in hip-hop undermine black advancement? A potent exploration of a divisive and important subject, The Hip-Hop Wars concludes with a call for the regalvanization of the progressive and creative heart of hip-hop. What Rose calls for is not a sanitized vision of the form, but one that more accurately reflects a much richer space of culture, politics, anger, and yes, sex, than the current ubiquitous images in sound and video currently provide.

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