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Historia de la serigrafía en Colombia

Author: María Elvira Iriarte
Publisher: [Bogotá] : Universidad Nacional de Colombia, 1986.
Edition/Format:   Print book : Spanish : 1. edView all editions and formats
Summary:
"This first, brief study gives a precise account of the development of silk screening for artistic purposes in Colombia. Although silk screening was known and practiced in Colombia for commercial use since the early 1930s, it was not until 1969, according to Iriarte, that the technique was systematically utilized as a graphic media with artistic intent. The bulk of the book is dedicated to the decade 1970-80, in  Read more...
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Additional Physical Format: Online version:
Iriarte, María Elvira.
Historia de la serigrafía en Colombia.
[Bogotá] : Universidad Nacional de Colombia, 1986
(OCoLC)656951170
Document Type: Book
All Authors / Contributors: María Elvira Iriarte
ISBN: 9586280322 9789586280327
OCLC Number: 17252390
Description: 107 pages : color illustrations ; 24 cm
Responsibility: María Elvira Iriarte.

Abstract:

"This first, brief study gives a precise account of the development of silk screening for artistic purposes in Colombia. Although silk screening was known and practiced in Colombia for commercial use since the early 1930s, it was not until 1969, according to Iriarte, that the technique was systematically utilized as a graphic media with artistic intent. The bulk of the book is dedicated to the decade 1970-80, in which Iriarte recognizes two different stages (1970-74 and 1975-78), and a third (beginning in 1979) that probably has continued up to this day. Complemented with 20 small reproductions. Bibliography is scarce but practical"--Handbook of Latin American Studies, v. 58.

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Primary Entity

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   schema:reviewBody ""This first, brief study gives a precise account of the development of silk screening for artistic purposes in Colombia. Although silk screening was known and practiced in Colombia for commercial use since the early 1930s, it was not until 1969, according to Iriarte, that the technique was systematically utilized as a graphic media with artistic intent. The bulk of the book is dedicated to the decade 1970-80, in which Iriarte recognizes two different stages (1970-74 and 1975-78), and a third (beginning in 1979) that probably has continued up to this day. Complemented with 20 small reproductions. Bibliography is scarce but practical"--Handbook of Latin American Studies, v. 58." ;
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