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Historical painting techniques, materials, and studio practice : preprints of a symposium, University of Leiden, the Netherlands, 26-29 June, 1995

Author: Arie Wallert; Erma Hermens; Marja Peek
Publisher: [Marina Del Rey, Calif.] : Getty Conservation Institute, 1995.
Edition/Format:   Print book : Document : Conference publication   Computer File : EnglishView all editions and formats
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Genre/Form: Conference proceedings
Kongreß
Conference papers and proceedings
Congresses
Additional Physical Format: Online version:
Historical painting techniques, materials, and studio practice.
[Marina Del Rey, Calif.] : Getty Conservation Institute, 1995
(OCoLC)624458512
Named Person: James McNeill Whistler; J M W Turner; William Holman Hunt
Material Type: Conference publication, Document, Internet resource
Document Type: Book, Computer File, Internet Resource
All Authors / Contributors: Arie Wallert; Erma Hermens; Marja Peek
ISBN: 0892363223 9780892363223
OCLC Number: 32131812
Description: ix, 204 pages, [23] pages of plates : illustrations (some color) ; 30 cm
Contents: Beyond a Collection of Data: What We Can Learn from Documentary Sources on Artists' Materials and Techniques / Leslie A. Carlyle --
An Integrated Approach for the Study of Painting Techniques / Sylvana Barrett and Dusan C. Stulik --
Varnish, Grounds, Viewing Distance, and Lighting: Some Notes on Seventeenth-Century Italian Painting Technique / Helen Glanville --
From Books of Secrets to Encyclopedias: Painting Techniques in France between 1600 and 1800 / Ann Massing --
The Roberson Archive: Content and Significance / Sally A. Woodcock --
Libro Secondo de Diversi Colori e Sise da Mettere a Oro: A Fifteenth-Century Technical Treatise on Manuscript Illumination / Arie Wallert --
A Seventeenth-Century Italian Treatise on Miniature Painting and Its Author(s) / Erma Hermens --
Questions about Medieval Gesso Grounds / Beate Federspiel --
Aspects of Painting Technique in the Use of Verdigris and Copper Resinate / Renate Woudhuysen-Keller --
Connections and Coincidences: Three Pigments / Josephine A. Darrah --
An Investigation of Palette and Color Notations Used to Create a Set of Tibetan Thangkas / Kate I. Duffy and Jacki A. Elgar --
New Evidence for the Medieval Production of Icons in the Nile Valley / Zuzana Skalova --
Techniques of the Romanesque and Gothic Wall Paintings in the Holy Sepulchre Chapel, Winchester Cathedral / Helen C. Howard --
The Polychromy of Exeter and Salisbury Cathedrals: A Preliminary Comparison / Eddie Sinclair --
Andrea Mantegna's Adoration of the Magi / Andrea Rothe --
Technical Examinations of Titian's Venus and Adonis: A Note on Early Italian Oil Painting Technique / Ulrich Birkmaier, Arie Wallert and Andrea Rothe --
Gerard David's St. Anne Altarpiece: Evidence for Workshop Participation / Catherine A. Metzger and Barbara H. Berrie --
Maarten van Heemskerck and Jan van Scorel's Haarlem Workshop / Molly Faries, Christa Steinbuchel and J.R.J. van Asperen de Boer --
Style and Technique in Dutch Landscape Painting in the 1620s / E. Melanie Gifford --
Johannes Vermeer (1632-1675) and His Use of Perspective / Jorgen Wadum --
A Technical Study of the Materials and Methods Used by the Painters of the Latvian Churches in the Seventeenth Century / Ilze Poriete and Dace Choldere --
William Holman Hunt and the "Pre-Raphaelite Technique" / Melissa R. Katz --
Paul Delaroche: A Case Study of Academic Painting / Jo Kirby and Ashok Roy --
Painting Techniques and Materials of Turner and Other British Artists 1775-1875 / Joyce H. Townsend --
Art for Art's Sake: The Materials and Techniques of James McNeill Whistler (1834-1903) / Stephen Hackney --
Painting on a Photographic Substrate: Notes Regarding Materials and Techniques over the Past 100 Years / John R. Gayer --
Reflections on the Relation between Technique and Style: The Use of the Palette by the Seventeenth-Century Painter / Ernst van de Wetering.
Responsibility: edited by Arie Wallert, Erma Hermens, and Marja Peek.
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