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History and the early English novel : matters of fact from Bacon to Defoe

Verfasser/in: Robert Mayer
Verlag: Cambridge [England] : Cambridge University Press, 1997.
Serien: Cambridge studies in eighteenth-century English literature and thought, 33.
Ausgabe/Format   E-Book : Dokument : EnglischAlle Ausgaben und Formate anzeigen
Datenbank:WorldCat
Zusammenfassung:
"This new study of the origins of the English novel argues that the novel emerged from historical writing. Examining historical writers and forms frequently neglected by earlier scholars, Robert Mayer shows that in the seventeenth century historical discourse embraced not only "history" in its modern sense, but also fiction, polemic, gossip, and marvels. Mayer thus explains why Defoe's narratives were initially read  Weiterlesen…
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Gattung/Form: Electronic books
Criticism, interpretation, etc
History
Physisches Format Print version:
Mayer, Robert, 1948-
History and the early English novel.
Cambridge [England] : Cambridge University Press, 1997
(DLC) 96009608
(OCoLC)34989949
Name: Daniel Defoe; Francis Bacon; Francis Bacon, Viscount St. Albans; Francis Bacon; Daniel Defoe
Medientyp: Dokument, Internetquelle
Dokumenttyp: Internet-Ressource, Computer-Datei
Alle Autoren: Robert Mayer
ISBN: 0585131090 9780585131092 9780511000881 051100088X
OCLC-Nummer: 44959725
Beschreibung: 1 online resource (xii, 246 pages) : illustrations.
Serientitel: Cambridge studies in eighteenth-century English literature and thought, 33.
Verfasserangabe: Robert Mayer.

Abstract:

"This new study of the origins of the English novel argues that the novel emerged from historical writing. Examining historical writers and forms frequently neglected by earlier scholars, Robert Mayer shows that in the seventeenth century historical discourse embraced not only "history" in its modern sense, but also fiction, polemic, gossip, and marvels. Mayer thus explains why Defoe's narratives were initially read as history. It is the acceptance of the claims to historicity, the study argues, that differentiates Defoes fictions from those of writers like Thomas Deloney and Aphra Behn, important writers who nevertheless have figured less prominently than Defoe in discussions of the novel. Mayer ends by exploring the theoretical implications of the history-fiction connection. His study makes an important contribution to the continuing debate about the emergence of what we now call the novel in Britain in the eighteenth century."--Jacket.

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