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The history of sex in American film

Author: Jody W Pennington
Publisher: Westport, Conn. : Praeger, 2007.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
In March of 1965 the Supreme Court put into motion legal changes that marked the end of local film censorship as it had existed since the early years of the twentieth century. In Hollywood that same year, The Pawnbroker was released with a Production Code Seal of Approval, despite nudity that violated that Code. As sexual liberation occurred onscreen, parallel developments occurred in the way we lived our lives, and  Read more...
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Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Jody W Pennington
ISBN: 9780275992262 0275992268
OCLC Number: 123767024
Description: xii, 216 pages, [4] pages of plates : illustrations ; 25 cm
Contents: Drawing the line: codes and laws --
Shifting boundaries --
Inside out --
Everybody's doing it--aren't they? --
To have or not to have sex --
Puritanical past in a pornographic light --
From the closet to the screen --
Mainstream adultery --
Children in the dark.
Responsibility: Jody W. Pennington.
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Looking at how sex in the cinema has contributed to the demise of the fragile consensus between liberals and conservatives on freedom of expression, this work suggests a perspective from which the  Read more...

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"This work by Pennington is a social and cultural history of the representation of sex and its regulation in American cinema. She takes a chronological approach to the film industry's self-censorship Read more...

 
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   schema:description "In March of 1965 the Supreme Court put into motion legal changes that marked the end of local film censorship as it had existed since the early years of the twentieth century. In Hollywood that same year, The Pawnbroker was released with a Production Code Seal of Approval, despite nudity that violated that Code. As sexual liberation occurred onscreen, parallel developments occurred in the way we lived our lives, and by the end of the 1960s Americans were having sex more often, and with more partners, than ever before. There was also now a public debate surrounding sexuality, and one of the loudest and most continually active voices in this debate was that of American film. This work begins with an examination of some of the earliest altercations in what later came to be known as "the culture wars," and follows those skirmishes, more often than not provoked by American film, up to the modern day. By looking at how sex in the cinema has contributed to the demise of the fragile consensus between liberals and conservatives on freedom of expression, The History of Sex in American Film suggests a perspective from which today's culture wars can be better understood. This work combines close readings of many representative films-including Who's Afraid of Virginia Woolf?, The Graduate, Blue Velvet, Philadelphia, L.A. Confidential, and Closer-with a social and historical account of the most significant changes in American sexual behavior and sexual representation over the past fifty years. --Publisher."@en ;
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