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Hitchcock's bi-textuality : Lacan, feminisms, and queer theory

著者: Robert Samuels
出版社: Albany : State University of New York Press, ©1998.
シリーズ: SUNY series in psychoanalysis and culture.
エディション/フォーマット:   電子書籍 : Document : State or province government publication : Englishすべてのエディションとフォーマットを見る
データベース:WorldCat
概要:
This book combines three element: an articulation of Lacan's theory of ethics; a discussion of recent theories of feminine subjectivity and queer textuality; and close readings of Hitchcock's films. Hitchcock's Bi-Textuality argues that just as Freud posited a fundamental ground of bisexuality for every subject, we can affirm a form of universal "bi-textuality" that is repressed through different modes of
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詳細

ジャンル/形式: Electronic books
Criticism, interpretation, etc
その他のフォーマット: Print version:
Samuels, Robert, 1961-
Hitchcock's bi-textuality.
Albany : State University of New York Press, ©1998
(DLC) 97001209
(OCoLC)36501199
関連の人物: Alfred Hitchcock; Alfred Hitchcock; Alfred Hitchcock
資料の種類: Document, Government publication, State or province government publication, インターネット資料
ドキュメントの種類 インターネット資料, 電子ファイル
すべての著者/寄与者: Robert Samuels
ISBN: 0585089841 9780585089843
OCLC No.: 42628664
物理形態: 1 online resource (ix, 166 pages).
コンテンツ: 1. Lady Vanishes, but the Letter Remains: Julia Kristeva and the Maternal Real(m) --
2. Fear of Women and the Writing in Spellbound: Kaja Silverman and the Question of Castration --
3. Rebecca, Repetition, and the Circulation of Feminine Desire: Judith Butler and the Materiality of the Letter --
4. Notorious: Luce Irigaray, Feminine Fluids, and Masculine (Be)Hind-Sight --
5. Vertigo: Sexual Dis-Orientation and the En-Gendering of the Real --
6. Marnie: Abjection, Marking, and Feminine Subjectivity --
7. Rear Window Ethics: Laura Mulvey and the Inverted Gaze --
8. Birds: Zizek, Ideology, and the Horror of the Real --
Epilogue. Psycho and the Horror of the Bi-Textual Unconscious.
シリーズタイトル: SUNY series in psychoanalysis and culture.
責任者: Robert Samuels.

概要:

This book combines three element: an articulation of Lacan's theory of ethics; a discussion of recent theories of feminine subjectivity and queer textuality; and close readings of Hitchcock's films. Hitchcock's Bi-Textuality argues that just as Freud posited a fundamental ground of bisexuality for every subject, we can affirm a form of universal "bi-textuality" that is repressed through different modes of representation, yet returns in unconscious aspects of textuality (dreams, word play, jokes, and symbolism).

In order to illustrate this notion of bi-textuality, this work discusses how Hitchcock's films are extremely heterogeneous and present multiple forms of sexual identification and desire, although they have most often been read through the reductive lens of male heterosexuality.

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