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Hitchcock's bi-textuality : Lacan, feminisms, and queer theory

作者: Robert Samuels
出版商: Albany : State University of New York Press, ©1998.
叢書: SUNY series in psychoanalysis and culture.
版本/格式:   電子書 : 文獻 : 州政府或者省政府刊物 : 英語所有版本和格式的總覽
提要:
This book combines three element: an articulation of Lacan's theory of ethics; a discussion of recent theories of feminine subjectivity and queer textuality; and close readings of Hitchcock's films. Hitchcock's Bi-Textuality argues that just as Freud posited a fundamental ground of bisexuality for every subject, we can affirm a form of universal "bi-textuality" that is repressed through different modes of
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詳細書目

類型/形式: Electronic books
Criticism, interpretation, etc
其他的實體格式: Print version:
Samuels, Robert, 1961-
Hitchcock's bi-textuality.
Albany : State University of New York Press, ©1998
(DLC) 97001209
(OCoLC)36501199
提及的人: Alfred Hitchcock; Alfred Hitchcock; Alfred Hitchcock
資料類型: 文獻, 政府刊物, 州政府或者省政府刊物, 網際網路資源
文件類型 網際網路資源, 電腦檔案
所有的作者/貢獻者: Robert Samuels
ISBN: 0585089841 9780585089843
OCLC系統控制編碼: 42628664
描述: 1 online resource (ix, 166 pages).
内容: 1. Lady Vanishes, but the Letter Remains: Julia Kristeva and the Maternal Real(m) --
2. Fear of Women and the Writing in Spellbound: Kaja Silverman and the Question of Castration --
3. Rebecca, Repetition, and the Circulation of Feminine Desire: Judith Butler and the Materiality of the Letter --
4. Notorious: Luce Irigaray, Feminine Fluids, and Masculine (Be)Hind-Sight --
5. Vertigo: Sexual Dis-Orientation and the En-Gendering of the Real --
6. Marnie: Abjection, Marking, and Feminine Subjectivity --
7. Rear Window Ethics: Laura Mulvey and the Inverted Gaze --
8. Birds: Zizek, Ideology, and the Horror of the Real --
Epilogue. Psycho and the Horror of the Bi-Textual Unconscious.
叢書名: SUNY series in psychoanalysis and culture.
責任: Robert Samuels.

摘要:

This book combines three element: an articulation of Lacan's theory of ethics; a discussion of recent theories of feminine subjectivity and queer textuality; and close readings of Hitchcock's films. Hitchcock's Bi-Textuality argues that just as Freud posited a fundamental ground of bisexuality for every subject, we can affirm a form of universal "bi-textuality" that is repressed through different modes of representation, yet returns in unconscious aspects of textuality (dreams, word play, jokes, and symbolism).

In order to illustrate this notion of bi-textuality, this work discusses how Hitchcock's films are extremely heterogeneous and present multiple forms of sexual identification and desire, although they have most often been read through the reductive lens of male heterosexuality.

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